Everything

Clothing The Gaps is a fresh and dynamic Community brand managed by health professionals that celebrates Aboriginal people and culture. We were recognised for our excellence at the 2020 Dreamtime Awards and was awarded 'Business of the year'.

We make our clothes with Mob in our heart and everyone in mind. We label our clothes Ally Friendly and Mob Only because everyone was asking “Can I wear that?”. 

We produce merch with a message and encourage people to wear their values on their tee. 

We influence and unite people through fashion and causes so that Aboriginal people and Communities can thrive.

Did you know?! Clothing The Gaps is a play on the words "Closing the Gap", which is an Australian Government health initiative to help close the life expectancy gap between Aboriginal people and non-Indigenous Australians.  

VIEW MORE FROM THIS BRAND

Clothing The Gaps is a fresh and dynamic Community brand managed by health professionals that celebrates Aboriginal people and culture. We were recognised for our excellence at the 2020 Dreamtime Awards and was awarded 'Business of the year'.

We make our clothes with Mob in our heart and everyone in mind. We label our clothes Ally Friendly and Mob Only because everyone was asking “Can I wear that?”. 

We produce merch with a message and encourage people to wear their values on their tee. 

We influence and unite people through fashion and causes so that Aboriginal people and Communities can thrive.

Did you know?! Clothing The Gaps is a play on the words "Closing the Gap", which is an Australian Government health initiative to help close the life expectancy gap between Aboriginal people and non-Indigenous Australians.  

VIEW MORE FROM THIS BRAND

Clothing The Gaps is a fresh and dynamic Community brand managed by health professionals that celebrates Aboriginal people and culture. We were recognised for our excellence at the 2020 Dreamtime Awards and was awarded 'Business of the year'.

We make our clothes with Mob in our heart and everyone in mind. We label our clothes Ally Friendly and Mob Only because everyone was asking “Can I wear that?”. 

We produce merch with a message and encourage people to wear their values on their tee. 

We influence and unite people through fashion and causes so that Aboriginal people and Communities can thrive.

Did you know?! Clothing The Gaps is a play on the words "Closing the Gap", which is an Australian Government health initiative to help close the life expectancy gap between Aboriginal people and non-Indigenous Australians.  

VIEW MORE FROM THIS BRAND

Clothing The Gaps is a fresh and dynamic Community brand managed by health professionals that celebrates Aboriginal people and culture. We were recognised for our excellence at the 2020 Dreamtime Awards and was awarded 'Business of the year'.

We make our clothes with Mob in our heart and everyone in mind. We label our clothes Ally Friendly and Mob Only because everyone was asking “Can I wear that?”. 

We produce merch with a message and encourage people to wear their values on their tee. 

We influence and unite people through fashion and causes so that Aboriginal people and Communities can thrive.

Did you know?! Clothing The Gaps is a play on the words "Closing the Gap", which is an Australian Government health initiative to help close the life expectancy gap between Aboriginal people and non-Indigenous Australians.  

VIEW MORE FROM THIS BRAND

Clothing The Gaps is a fresh and dynamic Community brand managed by health professionals that celebrates Aboriginal people and culture. We were recognised for our excellence at the 2020 Dreamtime Awards and was awarded 'Business of the year'.

We make our clothes with Mob in our heart and everyone in mind. We label our clothes Ally Friendly and Mob Only because everyone was asking “Can I wear that?”. 

We produce merch with a message and encourage people to wear their values on their tee. 

We influence and unite people through fashion and causes so that Aboriginal people and Communities can thrive.

Did you know?! Clothing The Gaps is a play on the words "Closing the Gap", which is an Australian Government health initiative to help close the life expectancy gap between Aboriginal people and non-Indigenous Australians.  

VIEW MORE FROM THIS BRAND

Clothing The Gaps is a fresh and dynamic Community brand managed by health professionals that celebrates Aboriginal people and culture. We were recognised for our excellence at the 2020 Dreamtime Awards and was awarded 'Business of the year'.

We make our clothes with Mob in our heart and everyone in mind. We label our clothes Ally Friendly and Mob Only because everyone was asking “Can I wear that?”. 

We produce merch with a message and encourage people to wear their values on their tee. 

We influence and unite people through fashion and causes so that Aboriginal people and Communities can thrive.

Did you know?! Clothing The Gaps is a play on the words "Closing the Gap", which is an Australian Government health initiative to help close the life expectancy gap between Aboriginal people and non-Indigenous Australians.  

VIEW MORE FROM THIS BRAND

ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

VIEW ALL WORKS FROM THIS ARTIST

ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

VIEW ALL WORKS FROM THIS ARTIST

ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

VIEW ALL WORKS FROM THIS ARTIST

ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

VIEW ALL WORKS FROM THIS ARTIST

ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

VIEW ALL WORKS FROM THIS ARTIST

ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

VIEW ALL WORKS FROM THIS ARTIST

ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

VIEW ALL WORKS FROM THIS ARTIST

ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

VIEW ALL WORKS FROM THIS ARTIST

ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

VIEW ALL WORKS FROM THIS ARTIST

STEPHANIE PHILLIPS is a ceramic artist from Sydney, Australia. She draws strong influence in her artistic direction from both of her grandmothers. Her paternal grandmother was a Russian immigrant who was a talented artist and craftswoman, while her maternal grandmother was involved in the establishment of The Crommelin Native Arboretum at Pearl Beach, NSW, where Stephanie has spent many weekends and holidays since childhood.

At a young age, she developed an affinity with the Australian bush and the influence of the forms and colours of native flora are evident in her work. Drawing on her love of plants, she creates curved vessels to house modern Ikebana. Using a combination of clays, glazes and oxides she creates her own colours and textures.

Stephanie studied glass arts at Sydney College of the Arts, mosaics at Randwick Tafe and fabric design and printing at East Sydney Tech before finding her true calling in ceramics. She has studied at ceramics at Gymea Tafe and at Hazelhurst in Sydney.

VIEW ALL WORKS FROM THIS ARTIST

STEPHANIE PHILLIPS is a ceramic artist from Sydney, Australia. She draws strong influence in her artistic direction from both of her grandmothers. Her paternal grandmother was a Russian immigrant who was a talented artist and craftswoman, while her maternal grandmother was involved in the establishment of The Crommelin Native Arboretum at Pearl Beach, NSW, where Stephanie has spent many weekends and holidays since childhood.

At a young age, she developed an affinity with the Australian bush and the influence of the forms and colours of native flora are evident in her work. Drawing on her love of plants, she creates curved vessels to house modern Ikebana. Using a combination of clays, glazes and oxides she creates her own colours and textures.

Stephanie studied glass arts at Sydney College of the Arts, mosaics at Randwick Tafe and fabric design and printing at East Sydney Tech before finding her true calling in ceramics. She has studied at ceramics at Gymea Tafe and at Hazelhurst in Sydney.

VIEW ALL WORKS FROM THIS ARTIST

STEPHANIE PHILLIPS is a ceramic artist from Sydney, Australia. She draws strong influence in her artistic direction from both of her grandmothers. Her paternal grandmother was a Russian immigrant who was a talented artist and craftswoman, while her maternal grandmother was involved in the establishment of The Crommelin Native Arboretum at Pearl Beach, NSW, where Stephanie has spent many weekends and holidays since childhood.

At a young age, she developed an affinity with the Australian bush and the influence of the forms and colours of native flora are evident in her work. Drawing on her love of plants, she creates curved vessels to house modern Ikebana. Using a combination of clays, glazes and oxides she creates her own colours and textures.

Stephanie studied glass arts at Sydney College of the Arts, mosaics at Randwick Tafe and fabric design and printing at East Sydney Tech before finding her true calling in ceramics. She has studied at ceramics at Gymea Tafe and at Hazelhurst in Sydney.

VIEW ALL WORKS FROM THIS ARTIST

STEPHANIE PHILLIPS is a ceramic artist from Sydney, Australia. She draws strong influence in her artistic direction from both of her grandmothers. Her paternal grandmother was a Russian immigrant who was a talented artist and craftswoman, while her maternal grandmother was involved in the establishment of The Crommelin Native Arboretum at Pearl Beach, NSW, where Stephanie has spent many weekends and holidays since childhood.

At a young age, she developed an affinity with the Australian bush and the influence of the forms and colours of native flora are evident in her work. Drawing on her love of plants, she creates curved vessels to house modern Ikebana. Using a combination of clays, glazes and oxides she creates her own colours and textures.

Stephanie studied glass arts at Sydney College of the Arts, mosaics at Randwick Tafe and fabric design and printing at East Sydney Tech before finding her true calling in ceramics. She has studied at ceramics at Gymea Tafe and at Hazelhurst in Sydney.

VIEW ALL WORKS FROM THIS ARTIST

STEPHANIE PHILLIPS is a ceramic artist from Sydney, Australia. She draws strong influence in her artistic direction from both of her grandmothers. Her paternal grandmother was a Russian immigrant who was a talented artist and craftswoman, while her maternal grandmother was involved in the establishment of The Crommelin Native Arboretum at Pearl Beach, NSW, where Stephanie has spent many weekends and holidays since childhood.

At a young age, she developed an affinity with the Australian bush and the influence of the forms and colours of native flora are evident in her work. Drawing on her love of plants, she creates curved vessels to house modern Ikebana. Using a combination of clays, glazes and oxides she creates her own colours and textures.

Stephanie studied glass arts at Sydney College of the Arts, mosaics at Randwick Tafe and fabric design and printing at East Sydney Tech before finding her true calling in ceramics. She has studied at ceramics at Gymea Tafe and at Hazelhurst in Sydney.

VIEW ALL WORKS FROM THIS ARTIST

STEPHANIE PHILLIPS is a ceramic artist from Sydney, Australia. She draws strong influence in her artistic direction from both of her grandmothers. Her paternal grandmother was a Russian immigrant who was a talented artist and craftswoman, while her maternal grandmother was involved in the establishment of The Crommelin Native Arboretum at Pearl Beach, NSW, where Stephanie has spent many weekends and holidays since childhood.

At a young age, she developed an affinity with the Australian bush and the influence of the forms and colours of native flora are evident in her work. Drawing on her love of plants, she creates curved vessels to house modern Ikebana. Using a combination of clays, glazes and oxides she creates her own colours and textures.

Stephanie studied glass arts at Sydney College of the Arts, mosaics at Randwick Tafe and fabric design and printing at East Sydney Tech before finding her true calling in ceramics. She has studied at ceramics at Gymea Tafe and at Hazelhurst in Sydney.

VIEW ALL WORKS FROM THIS ARTIST

KENNY YONG-SOO SON, from STUDIOKYSS is an object maker based in Sydney, Australia.

With background in metal craft and object design, the fundamental focus behind Son’s practice is to create work that resemblance a sense of longevity and hand-craftsmanship. The design aesthetics of Son’s work relate to the idea of reduction and simplicity with emphasis on modern and traditional craftsmanship in the physical work process.

Son is interested in producing work that has the ability to interact with the user and its surroundings, allowing a trigger of emotions of the user when in harmony with the object. Son firmly believes, for contemporary crafts and craftsmanship to excel, is reliant on current and future makers to translate their outputs in a habitual and ingenuous manner towards the public. Work that is perhaps ordinary, rather a work that is conceived to be extraordinary. 

VIEW ALL WORKS FROM THIS ARTIST 

KENNY YONG-SOO SON, from STUDIOKYSS is an object maker based in Sydney, Australia.

With background in metal craft and object design, the fundamental focus behind Son’s practice is to create work that resemblance a sense of longevity and hand-craftsmanship. The design aesthetics of Son’s work relate to the idea of reduction and simplicity with emphasis on modern and traditional craftsmanship in the physical work process.

Son is interested in producing work that has the ability to interact with the user and its surroundings, allowing a trigger of emotions of the user when in harmony with the object. Son firmly believes, for contemporary crafts and craftsmanship to excel, is reliant on current and future makers to translate their outputs in a habitual and ingenuous manner towards the public. Work that is perhaps ordinary, rather a work that is conceived to be extraordinary. 

VIEW ALL WORKS FROM THIS ARTIST 

KENNY YONG-SOO SON, from STUDIOKYSS is an object maker based in Sydney, Australia.

With background in metal craft and object design, the fundamental focus behind Son’s practice is to create work that resemblance a sense of longevity and hand-craftsmanship. The design aesthetics of Son’s work relate to the idea of reduction and simplicity with emphasis on modern and traditional craftsmanship in the physical work process.

Son is interested in producing work that has the ability to interact with the user and its surroundings, allowing a trigger of emotions of the user when in harmony with the object. Son firmly believes, for contemporary crafts and craftsmanship to excel, is reliant on current and future makers to translate their outputs in a habitual and ingenuous manner towards the public. Work that is perhaps ordinary, rather a work that is conceived to be extraordinary. 

VIEW ALL WORKS FROM THIS ARTIST