Everything

Enamel Double Drop Earrings - Purple
Jenna O'Brien
$175.00
Enamel Double Drop Earrings - Purple
Jenna O'Brien

Enamel Double Drop Earrings - Purple

$175.00
/
Tax included. Shipping calculated at checkout.
OBJECT TYPE:
Earrings
MATERIALS:
Sterling Silver, Copper, Glass
DIMENSIONS:
 85mm drop
ORIGIN:
Melbourne

Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour.

JENNA O’BRIEN is a Melbourne based jeweller who handcrafts colourful pieces from her Flinders Lane studio. Her work is an expression of her experiences and interests as well as an embodiment of her journey to date with inspiration being drawn from the colour, form and the materiality of everyday objects.

Each piece of jewellery is handcrafted using an enamelling technique, with no two pieces being exactly the same. Jenna graduated from RMIT with a Bachelor of Fine Art in 2014 and completed an Advanced Diploma of Engineering Technology (Jewellery) from Box Hill institute of TAFE in 2011.

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Blurred Lines Earrings
Dorkus Design
$60.00
Blurred Lines Earrings
Blurred Lines Earrings
Acrylic earrings hand painted by Melbourne designer Dorkus Design
Dorkus Design
Blurred Lines Earrings
Blurred Lines Earrings
Blurred Lines Earrings
Acrylic earrings hand painted by Melbourne designer Dorkus Design
Dorkus Design
Blurred Lines Earrings
Dorkus Design

Blurred Lines Earrings

$60.00
/
Tax included. Shipping calculated at checkout.
OBJECT TYPE:
Earrings
MATERIALS:
 Acrylic, Paint
DIMENSIONS:
100mm long
ORIGIN:
Melbourne
Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour.

DORKUS DESIGN is a jewellery and form play project by Melbourne based Stephanie Watt. All Dorkus Design pieces are designed and made in her Brunswick studio using a combination of Laser cutting and hand painting and finishing pieces. Stephanie’s background in Industrial Design informs her practice whereby she integrates modern technology to her handmade process.

Dorkus Design pieces are known for their distinct aesthetic incorporating elements of play and a good dash of offbeat humour.

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Face Earrings
Dorkus Design
$60.00
Face Earrings
Face Earrings
Dorkus Design
Face Earrings
Face Earrings
Face Earrings
Dorkus Design
Face Earrings
Dorkus Design

Face Earrings

$60.00
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Tax included. Shipping calculated at checkout.
OBJECT TYPE:
Earrings
MATERIALS:
 Acrylic, Paint
DIMENSIONS:
50mm diameter
ORIGIN:
Melbourne

Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour.

DORKUS DESIGN is a jewellery and form play project by Melbourne based Stephanie Watt. All Dorkus Design pieces are designed and made in her Brunswick studio using a combination of Laser cutting and hand painting and finishing pieces. Stephanie’s background in Industrial Design informs her practice whereby she integrates modern technology to her handmade process.

Dorkus Design pieces are known for their distinct aesthetic incorporating elements of play and a good dash of offbeat humour.

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Set of 7 x A5 Prints
Indigo O'Rourke
$50.00
Set of 7 x A5 Prints
Indigo O&
Set of 7 x A5 Prints
Set of 7 x A5 Prints
Set of 7 x A5 Prints
Set of 7 x A5 Prints
Set of 7 x A5 Prints
Set of 7 x A5 Prints
Indigo O'Rourke
Set of 7 x A5 Prints
Set of 7 x A5 Prints
Set of 7 x A5 Prints
Set of 7 x A5 Prints
Set of 7 x A5 Prints
Indigo O'Rourke

Set of 7 x A5 Prints

$50.00
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Tax included. Shipping calculated at checkout.
OBJECT TYPE:
Print
MATERIALS:
Paper
DIMENSIONS:
148mm x 210mm
ORIGIN:
Melbourne

INDIGO O'ROURKE is a Melbourne-based visual artist who predominantly works with a pen drawing technique. As her art practice deals with the complex experiences of being human, her carefully rendered biro drawings take on a critical view of social, political and cultural issues in today's world.

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Enamel Double Drop Earrings - Blue & Tangerine
Jenna O'Brien
$175.00
Jenna O&
Jenna O'Brien

Enamel Double Drop Earrings - Blue & Tangerine

$175.00
/
Tax included. Shipping calculated at checkout.
OBJECT TYPE:
Earrings
MATERIALS:
 Sterling Silver, Copper, Glass
DIMENSIONS:
 85mm drop
ORIGIN:
Melbourne

Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour.

JENNA O’BRIEN is a Melbourne based jeweller who handcrafts colourful pieces from her Flinders Lane studio. Her work is an expression of her experiences and interests as well as an embodiment of her journey to date with inspiration being drawn from the colour, form and the materiality of everyday objects.

Each piece of jewellery is handcrafted using an enamelling technique, with no two pieces being exactly the same. Jenna graduated from RMIT with a Bachelor of Fine Art in 2014 and completed an Advanced Diploma of Engineering Technology (Jewellery) from Box Hill institute of TAFE in 2011.

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Enamel Swizzle Earrings - Teal
Jenna O'Brien
$145.00
Glass enamelled swizzle earrings handmade by Melbourne-based jeweller Jenna O&
Jenna O'Brien

Enamel Swizzle Earrings - Teal

$145.00
/
Tax included. Shipping calculated at checkout.
OBJECT TYPE:
Earrings
MATERIALS:
Sterling Silver, Glass
DIMENSIONS:
 70mm drop
ORIGIN:
Melbourne

Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour.

 

JENNA O’BRIEN is a Melbourne based jeweller who handcrafts colourful pieces from her Flinders Lane studio. Her work is an expression of her experiences and interests as well as an embodiment of her journey to date with inspiration being drawn from the colour, form and the materiality of everyday objects.

Each piece of jewellery is handcrafted using an enamelling technique, with no two pieces being exactly the same. Jenna graduated from RMIT with a Bachelor of Fine Art in 2014 and completed an Advanced Diploma of Engineering Technology (Jewellery) from Box Hill institute of TAFE in 2011.

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Queenie Oval Shape Earrings - Small
Jenna O'Brien
$155.00
Enamel earrings handmade by Melbourne jeweller Jenna O&
Jenna O'Brien

Queenie Oval Shape Earrings - Small

$155.00
/
Tax included. Shipping calculated at checkout.
OBJECT TYPE:
Earrings
MATERIALS:
Sterling Silver, Glass
DIMENSIONS:
 55mm x 28mm
ORIGIN:
Melbourne

Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour.

 

JENNA O’BRIEN is a Melbourne based jeweller who handcrafts colourful pieces from her Flinders Lane studio. Her work is an expression of her experiences and interests as well as an embodiment of her journey to date with inspiration being drawn from the colour, form and the materiality of everyday objects.

Each piece of jewellery is handcrafted using an enamelling technique, with no two pieces being exactly the same. Jenna graduated from RMIT with a Bachelor of Fine Art in 2014 and completed an Advanced Diploma of Engineering Technology (Jewellery) from Box Hill institute of TAFE in 2011.

VIEW ALL WORKS FROM THIS ARTIST

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Pinch Vessel
Pinch Ceramics
$105.00
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Pinch Ceramics

Pinch Vessel

$105.00
/
Tax included. Shipping calculated at checkout.
OBJECT TYPE:
Vessel
MATERIALS:
Porcelain
DIMENSIONS:
80mm x 45mm
ORIGIN:
Sydney


PINCH CERAMICS is a ceramic art practice by Alexandra Standen based in Sydney (Gadi). Pinch was born out of a love for beautiful ceramic objects and the considered placement of them in the home; it is both minimal and refined while also indulging in a bit of bling from time to time. Each object is made by hand and is unique, making each piece a little work of art.

VIEW ALL WORKS FROM THIS ARTIST

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Pinch Vessel
Pinch Ceramics
$105.00
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Pinch Ceramics

Pinch Vessel

$105.00
/
Tax included. Shipping calculated at checkout.
OBJECT TYPE:
Vessel
MATERIALS:
Porcelain
DIMENSIONS:
65mm x 40mm
ORIGIN:
Sydney


PINCH CERAMICS is a ceramic art practice by Alexandra Standen based in Sydney (Gadi). Pinch was born out of a love for beautiful ceramic objects and the considered placement of them in the home; it is both minimal and refined while also indulging in a bit of bling from time to time. Each object is made by hand and is unique, making each piece a little work of art.

VIEW ALL WORKS FROM THIS ARTIST

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Pinch Vessel
Pinch Ceramics
$105.00
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Pinch Ceramics

Pinch Vessel

$105.00
/
Tax included. Shipping calculated at checkout.
OBJECT TYPE:
Vessel
MATERIALS:
Porcelain
DIMENSIONS:
80mm x 45mm
ORIGIN:
Sydney


PINCH CERAMICS is a ceramic art practice by Alexandra Standen based in Sydney (Gadi). Pinch was born out of a love for beautiful ceramic objects and the considered placement of them in the home; it is both minimal and refined while also indulging in a bit of bling from time to time. Each object is made by hand and is unique, making each piece a little work of art.

VIEW ALL WORKS FROM THIS ARTIST

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'Squeak' Side Table
Ka Ra Studio
$1,990.00
&
Ka Ra Studio

'Squeak' Side Table

$1,990.00
/
Tax included. Shipping calculated at checkout.
OBJECT TYPE:
Furniture
MATERIALS:
Shining Gum, Blackwood
DIMENSIONS:
550mm x 300mm x 300mm
ORIGIN:
Melbourne - Naarm


SHIPPING NOTE: Collection available from showroom or contact us for a shipping quote.

Kindred Forms is a collection of tables influenced by the forms of iconic mechanical companions from pop culture and science fiction history, drawing parallels between their helpful nature and the role of functional furniture. 

From the clunky yet charming to the sleek and helpful, these designs pay homage to the anthropomorphic quirks of our favourite robots — highlighting the endearing qualities that have helped them roll, beep, and buzz their way into our hearts. In contrast to the industrial materials typically associated with robots, each piece is crafted entirely from timber (reclaimed blackwood and farm grown shining gum) — reflecting the natural, human-like qualities that make these kindred forms so relatable.

Please choose your pieces carefully as all purchases at pépite are final.

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KATRINA RAMM (She/Her) is a Melbourne (Naarm) based furniture designer, releasing work through design practice Ka Ra Studio.

With a background in Interior Design, Katrina’s multidisciplinary approach to design centres around the emotive impact of an object within its environment.

Inspired by simple geometric forms, Katrina is drawn to creating work with a sense of nostalgia, seamlessly blending simplicity and practicality with a touch of playfulness.

With an overarching focus on flexible design and sustainability, Katrina aims to create considered pieces with responsible material selection, while encouraging small footprint living through the creation of smaller, multi-functional items.

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Ka Ra Studio

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'Kitiakitanga' Sculpture V
David Austin
$1,200.00
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'Kitiakitanga' Sculpture V
'Kitiakitanga' Sculpture V
'Kitiakitanga' Sculpture V
'Kitiakitanga' Sculpture V
'Kitiakitanga' Sculpture V
David Austin

'Kitiakitanga' Sculpture V

$1,200.00
/
Tax included. Shipping calculated at checkout.
OBJECT TYPE:
Sculpture
MATERIALS:
Clay, Gold Pigments, Raku Fired
DIMENSIONS:
420mm x 430mm x 100mm
ORIGIN:
Waikato Aotearoa, New Zealand

This series named 'Kitiakitanga' is a Maori concept meaning guardian of the environment, including the land, sea, and sky.

Please choose your pieces carefully as all purchases at pépite are final.

Click here for more information about Shipping and Returns.

DAVID AUSTIN is a New Zealand-based artist of Māori descent. Largely self-taught, his work draws inspiration from mid-century Nordic design and the Japanese philosophy of wabi-sabi—the appreciation of imperfection, impermanence, and the natural cycle of growth and decay.

David primarily works with low-firing techniques, beginning with a bisque firing before exposing each piece to intense heat and smoke. This process results in richly textured surfaces, with no two pieces ever the same.

“Like me, my work is imperfect—cracked, chipped, with uneven glazes. There is beauty in that. Each piece is hand-built with intention, speaking in a quiet, intimate language. I hope it speaks to you.”

 

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