Pinch Ceramics

A stop motion video of the pepite Gift Card.
pépite origami-style gift card in its folded form, featuring a minimalist design with a black crayon-style graphic and &
Back view of the pépite origami-style gift card in its folded form, showcasing a clean and minimalist design with crayon-style black details.
Partially opened pépite gift card designed in an origami style, revealing inner sections of the geometric fold with minimalist branding and website details.
Fully opened pépite gift card featuring an origami-inspired geometric fold, with sections for to/from details and a separate brown card with the &
Gift Card
Gift Card
Gift Card
Gift Card

Gift Card

Regular price $50.00
/
Tax included.

Shopping for a loved one but want to let them choose their favourite piece themselves? Treat them to a pépite gift card to make sure you get it 100% right.

Our gift cards can be redeemed online or even better, we encourage the lucky gift recipient to come visit our showroom in Collingwood to view our collection in person - so you're also gifting them a special experience. 

Gift cards are delivered by email and contain instructions to redeem them at checkout - you will also receive a physical card mailed to you, ready to gift.

Please note that gift cards are not refundable.

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Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.

Pinch Vessel

Regular price $105.00
/
Tax included.
OBJECT TYPE:
Vessel
MATERIALS:
Porcelain
DIMENSIONS:
80mm x 45mm
ORIGIN:
Sydney


Alexandra Standen from PINCH CERAMICS is a Sydney based ceramic artist currently undertaking a Masters by research at UNSW Art and Design. The premise of Alexandra's work is to bring into question the fragility of ceramic objects, speaking to the process of making work in porcelain as well as ‘feeling uneasy’ around objects of fragile or precarious nature.

VIEW ALL WORKS FROM THIS ARTIST

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Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.

Pinch Vessel

Regular price $105.00
/
Tax included.
OBJECT TYPE:
Vessel
MATERIALS:
Porcelain
DIMENSIONS:
80mm x 45mm
ORIGIN:
Sydney

Due to the nature of handmade, photos are only indicative as each piece varies slightly in size, shape and colour.

Alexandra Standen from PINCH CERAMICS is a Sydney based ceramic artist currently undertaking a Masters by research at UNSW Art and Design. The premise of Alexandra's work is to bring into question the fragility of ceramic objects, speaking to the process of making work in porcelain as well as ‘feeling uneasy’ around objects of fragile or precarious nature.

VIEW ALL WORKS FROM THIS ARTIST

Cart
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.

Pinch Vessel

Regular price $105.00
/
Tax included.
OBJECT TYPE:
Vessel
MATERIALS:
Porcelain
DIMENSIONS:
80mm x 45mm
ORIGIN:
Sydney

 

Cart
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.

Pinch Vessel

Regular price $105.00
/
Tax included.
OBJECT TYPE:
Vessel
MATERIALS:
Porcelain
DIMENSIONS:
65mm x 40mm
ORIGIN:
Sydney


Alexandra Standen from PINCH CERAMICS is a Sydney based ceramic artist currently undertaking a Masters by research at UNSW Art and Design. The premise of Alexandra's work is to bring into question the fragility of ceramic objects, speaking to the process of making work in porcelain as well as ‘feeling uneasy’ around objects of fragile or precarious nature.

VIEW ALL WORKS FROM THIS ARTIST

Cart
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.

Pinch Vessel

Regular price $105.00
/
Tax included.
OBJECT TYPE:
Vessel
MATERIALS:
Porcelain
DIMENSIONS:
80mm x 45mm
ORIGIN:
Sydney


Alexandra Standen from PINCH CERAMICS is a Sydney based ceramic artist currently undertaking a Masters by research at UNSW Art and Design. The premise of Alexandra's work is to bring into question the fragility of ceramic objects, speaking to the process of making work in porcelain as well as ‘feeling uneasy’ around objects of fragile or precarious nature.

VIEW ALL WORKS FROM THIS ARTIST

Cart
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function.  Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.

Pinch Vessel - Message

Regular price $105.00
/
Tax included.
OBJECT TYPE:
Vessel
MATERIALS:
Porcelain
DIMENSIONS:
80mm x 45mm
ORIGIN:
Sydney


Alexandra Standen from PINCH CERAMICS is a Sydney based ceramic artist currently undertaking a Masters by research at UNSW Art and Design. The premise of Alexandra's work is to bring into question the fragility of ceramic objects, speaking to the process of making work in porcelain as well as ‘feeling uneasy’ around objects of fragile or precarious nature.

VIEW ALL WORKS FROM THIS ARTIST

Cart