A CURATED SELECTION OF ART & OBJECTS
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Ceramic Sculpture
Melinda Wallis
$650.00
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
Melinda Wallis

Ceramic Sculpture

$650.00
/
Tax included.
OBJECT TYPE:
Vessel
MATERIALS:
Clay
DIMENSIONS:
150mm diameter x 350mm
ORIGIN:
 Dandenong Ranges - Corhanwarrabul 


From her small studio in the Dandenong Ranges, MELINDA WALLIS strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece... that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda the individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda, the work is a bonus.

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Ceramic Sculpture titled 'Too Well'
Mathieu Frossard
$2,715.00
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
Mathieu Frossard

Ceramic Sculpture titled 'Too Well'

$2,715.00
/
Tax included.
OBJECT TYPE:
Artwork
MATERIALS:
Earthenware, Glaze, Luster
DIMENSIONS:
26cm x 14cm x 14cm
ORIGIN:
 Strasbourg, France


Please note that all artwork sales are final.

Living and working in France, MATHIEU FROSSARD's work stands somewhere between art, design and craft. Looking at these practices from a distance, Mathieu's work is a collage of aesthetic references, shapes and materials that blur boundaries and offer multiple paths for the viewer to apprehend his work.

Giving viewers visual references, Mathieu pushes them to confront their own imaginative faculties, inviting them to interpret these as their own and to create stories based on what they see. Mathieu graduated in art and design from ESAD in Rheims, France, and from the Design Academy in Eindhoven, the Netherlands.

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Copper Sculpture
Studiokyss
$1,490.00
Copper Sculpture
Copper Sculpture
Copper Sculpture
Copper Sculpture
Copper Sculpture
Copper Sculpture
Copper Sculpture
Copper Sculpture
Copper Sculpture
Copper Sculpture
Studiokyss

Copper Sculpture

$1,490.00
/
Tax included.
OBJECT TYPE:
Vessel
MATERIALS:
Copper
DIMENSIONS:
130 x 200 x 50mm
ORIGIN:
Sydney - Gadi


 

 

KENNY YONG-SOO SON, from STUDIOKYSS is an object maker based in Sydney, Australia.

With background in metal craft and object design, the fundamental focus behind Son’s practice is to create work that resemblance a sense of longevity and hand-craftsmanship. The design aesthetics of Son’s work relate to the idea of reduction and simplicity with emphasis on modern and traditional craftsmanship in the physical work process.

Son is interested in producing work that has the ability to interact with the user and its surroundings, allowing a trigger of emotions of the user when in harmony with the object. Son firmly believes, for contemporary crafts and craftsmanship to excel, is reliant on current and future makers to translate their outputs in a habitual and ingenuous manner towards the public. Work that is perhaps ordinary, rather a work that is conceived to be extraordinary. 

 

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Ceramic Vessel
Emily Ellis
$1,430.00
Ceramic vessel handmade by ceramicist Emily Ellis
Ceramic vessel handmade by ceramicist Emily Ellis
Ceramic vessel handmade by ceramicist Emily Ellis
Ceramic vessel handmade by ceramicist Emily Ellis
Ceramic vessel handmade by ceramicist Emily Ellis
Ceramic vessel handmade by ceramicist Emily Ellis
Ceramic vessel handmade by ceramicist Emily Ellis
Ceramic vessel handmade by ceramicist Emily Ellis
Emily Ellis

Ceramic Vessel

$1,430.00
/
Tax included.
OBJECT TYPE:
Vessel
MATERIALS:
Clay
DIMENSIONS:
200mm diameter x 360mm
ORIGIN:
Sydney - Gadi


EMILY ELLIS is a Sydney based object designer and ceramicist. Her work explores our relationship to everyday objects through both surface and shape and how we integrate these into our daily rituals. Her vessels are all hand built, carved back and sculptured allowing the clay to reveal its form.

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Ceramic Sculpture
Melinda Wallis
$510.00
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
Melinda Wallis

Ceramic Sculpture

$510.00
/
Tax included.
OBJECT TYPE:
Vessel
MATERIALS:
Clay
DIMENSIONS:
190mm diameter x 170mm
ORIGIN:
 Dandenong Ranges - Corhanwarrabul 


From her small studio in the Dandenong Ranges, MELINDA WALLIS strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece... that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda the individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda, the work is a bonus.

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Ceramic Vessel
Dawn Vachon
$600.00
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren&
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren&
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren&
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren&
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren&
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
Dawn Vachon

Ceramic Vessel

$600.00
/
Tax included.
OBJECT TYPE:
Vessel
MATERIALS:
Clay, Glaze
DIMENSIONS:
300mm x 150mm
ORIGIN:
Melbourne - Naarm

 Suitable for holding water.

DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.

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Dawn studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.

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Melinda Wallis

Ceramic Sculpture
Melinda Wallis
$650.00
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
Melinda Wallis

Ceramic Sculpture

$650.00
/
Tax included.
OBJECT TYPE:
Vessel
MATERIALS:
Clay
DIMENSIONS:
150mm diameter x 350mm
ORIGIN:
 Dandenong Ranges - Corhanwarrabul 


From her small studio in the Dandenong Ranges, MELINDA WALLIS strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece... that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda the individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda, the work is a bonus.

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Ceramic Sculpture
Melinda Wallis
$510.00
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
Melinda Wallis

Ceramic Sculpture

$510.00
/
Tax included.
OBJECT TYPE:
Vessel
MATERIALS:
Clay
DIMENSIONS:
160mm diameter x 230mm
ORIGIN:
 Dandenong Ranges - Corhanwarrabul 


From her small studio in the Dandenong Ranges, MELINDA WALLIS strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece... that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda the individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda, the work is a bonus.

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Ceramic Sculpture
Melinda Wallis
$510.00
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
Melinda Wallis

Ceramic Sculpture

$510.00
/
Tax included.
OBJECT TYPE:
Vessel
MATERIALS:
Clay
DIMENSIONS:
210mm diameter x 200mm
ORIGIN:
 Dandenong Ranges - Corhanwarrabul 


From her small studio in the Dandenong Ranges, MELINDA WALLIS strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece... that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda the individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda, the work is a bonus.

VIEW ALL WORKS FROM THIS ARTIST

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Ceramic Sculpture
Melinda Wallis
$510.00
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
Melinda Wallis

Ceramic Sculpture

$510.00
/
Tax included.
OBJECT TYPE:
Vessel
MATERIALS:
Clay
DIMENSIONS:
190mm diameter x 170mm
ORIGIN:
 Dandenong Ranges - Corhanwarrabul 


From her small studio in the Dandenong Ranges, MELINDA WALLIS strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece... that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda the individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda, the work is a bonus.

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Ceramic Sculpture
Melinda Wallis
$650.00
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
Melinda Wallis

Ceramic Sculpture

$650.00
/
Tax included.
OBJECT TYPE:
Vessel
MATERIALS:
Clay
DIMENSIONS:
180mm diameter x 330mm
ORIGIN:
 Dandenong Ranges - Corhanwarrabul 


From her small studio in the Dandenong Ranges, MELINDA WALLIS strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece... that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda the individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda, the work is a bonus.

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Ceramic Vessel
Melinda Wallis
$590.00
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
Melinda Wallis

Ceramic Vessel

$590.00
/
Tax included.
OBJECT TYPE:
Vessel
MATERIALS:
Clay
DIMENSIONS:
190mm diameter x 360mm
ORIGIN:
 Dandenong Ranges - Corhanwarrabul 

 Suitable for holding water.

From her small studio in the Dandenong Ranges, MELINDA WALLIS strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece... that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda the individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda, the work is a bonus.

VIEW ALL WORKS FROM THIS ARTIST

Cart
Ceramic Vessel
Melinda Wallis
$450.00
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
Melinda Wallis

Ceramic Vessel

$450.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Clay
DIMENSIONS:
200mm diameter x 210mm
ORIGIN:
 Dandenong Ranges - Corhanwarrabul 

Not suitable for holding water.

From her small studio in the Dandenong Ranges, MELINDA WALLIS strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece... that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda the individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda, the work is a bonus.

VIEW ALL WORKS FROM THIS ARTIST

Cart
Ceramic Vessel
Melinda Wallis
$450.00
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
Melinda Wallis

Ceramic Vessel

$450.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Clay
DIMENSIONS:
160mm diameter x 190mm
ORIGIN:
 Dandenong Ranges - Corhanwarrabul 

Not suitable for holding water.

From her small studio in the Dandenong Ranges, MELINDA WALLIS strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece... that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda the individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda, the work is a bonus.

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Ceramic Sculpture
Melinda Wallis
$420.00
Ceramic sculpture by Melbourne ceramicist Melinda Wallis
Ceramic sculpture by Melbourne ceramicist Melinda Wallis
Ceramic sculpture by Melbourne ceramicist Melinda Wallis
Ceramic sculpture by Melbourne ceramicist Melinda Wallis
Ceramic sculpture by Melbourne ceramicist Melinda Wallis
Ceramic sculpture by Melbourne ceramicist Melinda Wallis
Ceramic sculpture by Melbourne ceramicist Melinda Wallis
Ceramic sculpture by Melbourne ceramicist Melinda Wallis
Melinda Wallis

Ceramic Sculpture

$420.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Clay
DIMENSIONS:
200mm diameter x 130mm
ORIGIN:
 Dandenong Ranges - Corhanwarrabul 

Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. 

From her small studio in the Dandenong Ranges, MELINDA WALLIS strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece... that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda the individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda, the work is a bonus.

VIEW ALL WORKS FROM THIS ARTIST

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Ceramic Sphere
Melinda Wallis
$280.00
Ceramic sculpture by Melbourne ceramicist Melinda Wallis
Ceramic sculpture by Melbourne ceramicist Melinda Wallis
Ceramic sculpture by Melbourne ceramicist Melinda Wallis
Ceramic sculpture by Melbourne ceramicist Melinda Wallis
Ceramic sculpture by Melbourne ceramicist Melinda Wallis
Ceramic sculpture by Melbourne ceramicist Melinda Wallis
Melinda Wallis

Ceramic Sphere

$280.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Clay
DIMENSIONS:
170mm diameter x 170mm
ORIGIN:
 Dandenong Ranges - Corhanwarrabul 

Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. 

From her small studio in the Dandenong Ranges, MELINDA WALLIS strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece... that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda the individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda, the work is a bonus.

VIEW ALL WORKS FROM THIS ARTIST

Cart
Ceramic Sculpture
Melinda Wallis
$420.00
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
Melinda Wallis

Ceramic Sculpture

$420.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Clay
DIMENSIONS:
195mm diameter x 170mm
ORIGIN:
 Dandenong Ranges - Corhanwarrabul 

Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. 

From her small studio in the Dandenong Ranges, MELINDA WALLIS strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece... that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda the individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda, the work is a bonus.

VIEW ALL WORKS FROM THIS ARTIST

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Ceramic Sculpture
Melinda Wallis
$250.00
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
Melinda Wallis

Ceramic Sculpture

$250.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Clay
DIMENSIONS:
100mm diameter x 160mm 
ORIGIN:
 Dandenong Ranges - Corhanwarrabul 

Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. 

From her small studio in the Dandenong Ranges, MELINDA WALLIS strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece... that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda the individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda, the work is a bonus.

VIEW ALL WORKS FROM THIS ARTIST

Cart
Sold Out
Ceramic Sculpture
Melinda Wallis
$420.00
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
Melinda Wallis

Ceramic Sculpture

$420.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Clay
DIMENSIONS:
190mm diameter x 130mm
ORIGIN:
 Dandenong Ranges - Corhanwarrabul 

Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. 

From her small studio in the Dandenong Ranges, MELINDA WALLIS strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece... that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda the individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda, the work is a bonus.

VIEW ALL WORKS FROM THIS ARTIST

Cart
Ceramic Sculpture
Melinda Wallis
$450.00
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
Melinda Wallis

Ceramic Sculpture

$450.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Clay
DIMENSIONS:
 200mm diameter x 115mm 
ORIGIN:
 Dandenong Ranges - Corhanwarrabul 

Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. 

From her small studio in the Dandenong Ranges, MELINDA WALLIS strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece... that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda the individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda, the work is a bonus.

VIEW ALL WORKS FROM THIS ARTIST

Cart
Ceramic Sculpture
Melinda Wallis
$420.00
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
Melinda Wallis

Ceramic Sculpture

$420.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Clay
DIMENSIONS:
 210mm diameter x 110mm 
ORIGIN:
 Dandenong Ranges - Corhanwarrabul 

Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. 

From her small studio in the Dandenong Ranges, MELINDA WALLIS strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece... that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda the individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda, the work is a bonus.

VIEW ALL WORKS FROM THIS ARTIST

Cart
Ceramic Sculpture
Melinda Wallis
$450.00
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
Melinda Wallis

Ceramic Sculpture

$450.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Clay
DIMENSIONS:
 195mm diameter x 130mm 
ORIGIN:
 Dandenong Ranges - Corhanwarrabul 

Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. 

From her small studio in the Dandenong Ranges, MELINDA WALLIS strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece... that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda the individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda, the work is a bonus.

VIEW ALL WORKS FROM THIS ARTIST

Cart
Ceramic Sculpture
Melinda Wallis
$420.00
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
Melinda Wallis

Ceramic Sculpture

$420.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Clay
DIMENSIONS:
 175mm diameter x 170mm 
ORIGIN:
 Dandenong Ranges - Corhanwarrabul 

Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. 

From her small studio in the Dandenong Ranges, MELINDA WALLIS strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece... that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda the individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda, the work is a bonus.

VIEW ALL WORKS FROM THIS ARTIST

Cart
Ceramic Sculpture
Melinda Wallis
$420.00
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
Melinda Wallis

Ceramic Sculpture

$420.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Clay
DIMENSIONS:
 195mm diameter x 150mm 
ORIGIN:
 Dandenong Ranges - Corhanwarrabul 

Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. 

From her small studio in the Dandenong Ranges, MELINDA WALLIS strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece... that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda the individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda, the work is a bonus.

VIEW ALL WORKS FROM THIS ARTIST

Cart
Ceramic Sculpture
Melinda Wallis
$450.00
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
Melinda Wallis

Ceramic Sculpture

$450.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Clay
DIMENSIONS:
 220mm diameter x 130mm 
ORIGIN:
 Dandenong Ranges - Corhanwarrabul 

Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. 

From her small studio in the Dandenong Ranges, MELINDA WALLIS strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece... that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda the individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda, the work is a bonus.

VIEW ALL WORKS FROM THIS ARTIST

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Sold Out
Ceramic Sculpture
Melinda Wallis
$450.00
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
Melinda Wallis

Ceramic Sculpture

$450.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Clay
DIMENSIONS:
230mm diameter x 160mm
ORIGIN:
 Dandenong Ranges - Corhanwarrabul 

Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. 

From her small studio in the Dandenong Ranges, MELINDA WALLIS strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece... that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda the individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda, the work is a bonus.

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Gift Card
pépite
from $50.00
A stop motion video of the pepite Gift Card.
pépite origami-style gift card in its folded form, featuring a minimalist design with a black crayon-style graphic and &
Back view of the pépite origami-style gift card in its folded form, showcasing a clean and minimalist design with crayon-style black details.
Partially opened pépite gift card designed in an origami style, revealing inner sections of the geometric fold with minimalist branding and website details.
Fully opened pépite gift card featuring an origami-inspired geometric fold, with sections for to/from details and a separate brown card with the &
Gift Card
Gift Card
Gift Card
Gift Card
A stop motion video of the pepite Gift Card.
pépite origami-style gift card in its folded form, featuring a minimalist design with a black crayon-style graphic and 'pépite' logo on the front.
Back view of the pépite origami-style gift card in its folded form, showcasing a clean and minimalist design with crayon-style black details.
Partially opened pépite gift card designed in an origami style, revealing inner sections of the geometric fold with minimalist branding and website details.
Fully opened pépite gift card featuring an origami-inspired geometric fold, with sections for to/from details and a separate brown card with the 'pépite' logo.
Gift Card
Gift Card
Gift Card
Gift Card
pépite

Gift Card

$50.00
/
Tax included.

Shopping for a loved one but want to let them choose their favourite piece themselves? Treat them to a pépite gift card to make sure you get it 100% right.

Our gift cards can be redeemed online or even better, we encourage the lucky gift recipient to come visit our showroom in Collingwood to view our collection in person - so you're also gifting them a special experience. 

Gift cards are delivered by email and contain instructions to redeem them at checkout - you will also receive a physical card mailed to you, ready to gift.

Please note that gift cards are not refundable.

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Gifting Under $250

Gift Card
pépite
from $50.00
A stop motion video of the pepite Gift Card.
pépite origami-style gift card in its folded form, featuring a minimalist design with a black crayon-style graphic and &
Back view of the pépite origami-style gift card in its folded form, showcasing a clean and minimalist design with crayon-style black details.
Partially opened pépite gift card designed in an origami style, revealing inner sections of the geometric fold with minimalist branding and website details.
Fully opened pépite gift card featuring an origami-inspired geometric fold, with sections for to/from details and a separate brown card with the &
Gift Card
Gift Card
Gift Card
Gift Card
A stop motion video of the pepite Gift Card.
pépite origami-style gift card in its folded form, featuring a minimalist design with a black crayon-style graphic and 'pépite' logo on the front.
Back view of the pépite origami-style gift card in its folded form, showcasing a clean and minimalist design with crayon-style black details.
Partially opened pépite gift card designed in an origami style, revealing inner sections of the geometric fold with minimalist branding and website details.
Fully opened pépite gift card featuring an origami-inspired geometric fold, with sections for to/from details and a separate brown card with the 'pépite' logo.
Gift Card
Gift Card
Gift Card
Gift Card
pépite

Gift Card

$50.00
/
Tax included.

Shopping for a loved one but want to let them choose their favourite piece themselves? Treat them to a pépite gift card to make sure you get it 100% right.

Our gift cards can be redeemed online or even better, we encourage the lucky gift recipient to come visit our showroom in Collingwood to view our collection in person - so you're also gifting them a special experience. 

Gift cards are delivered by email and contain instructions to redeem them at checkout - you will also receive a physical card mailed to you, ready to gift.

Please note that gift cards are not refundable.

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Ceramic Cutlery Rest - Garlic
Pamine
$55.00
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Pamine

Ceramic Cutlery Rest - Garlic

$55.00
/
Tax included.
OBJECT TYPE:
Cutlery Rest
MATERIALS:
 Earthenware, Glazed
DIMENSIONS:
125mm x 40mm x 25mm
ORIGIN:
France


Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. 

Patricia Sardy (Pamine) is a French artist born in Dijon and currently based in the small village of Montélier in the Drôme department.
Having spent decades exploring diverse artistic mediums such as painting, drawing and bronze sculpture among others, Patricia is now predominantly working with clay. 
With a background in traditional ceramics, she has spent years experimenting with various techniques—ranging from wheel-throwing to sculptural handbuilding—blending the classic with the contemporary. Over time, her work has evolved into whimsical yet intricate pieces, often inspired by nature. 
We commissioned Patricia to create a series of ceramic vegetables intended as cutlery rests but also sculptures in their own right, infusing them with both playful and lifelike qualities. Patricia's work invites viewers to reconsider the everyday, transforming simple forms into objects of art that celebrate the beauty of the organic and the handmade.

 

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Ceramic Vessel 'Vanilla Bean' - Small
pépite edits
$160.00
Ceramic cone vessel designed by pépite and handmade by Lucile Sciallano
Ceramic cone vessel designed by pépite and handmade by Lucile Sciallano
Ceramic cone vessel designed by pépite and handmade by Lucile Sciallano
Ceramic cone vessel designed by pépite and handmade by Lucile Sciallano
Ceramic cone vessel designed by pépite and handmade by Lucile Sciallano
Ceramic cone vessel designed by pépite and handmade by Lucile Sciallano
Ceramic cone vessel designed by pépite and handmade by Lucile Sciallano
Ceramic cone vessel designed by pépite and handmade by Lucile Sciallano
pépite edits

Ceramic Vessel 'Vanilla Bean' - Small

$160.00
/
Tax included.
OBJECT TYPE:
Vase
MATERIALS:
Stoneware and Glaze
DIMENSIONS:
200mm diameter x 140mm 
ORIGIN: 
Melbourne


Introducing 'pépite edits' - bespoke collections of contemporary objects, designed by pépite, artist-made and exclusively available at pépite. 

For our very first collection, we collaborated with Melbourne-based artist Lucile Sciallano (of Alterfact and La Petite Fabrique de Brunswick) - together we brought to life an ode to the perfect ‘cone’. A simple form, yet so elegant and striking when all the angles and proportions are just right. 

This first series focuses on the same form in three different sizes and two different finishes - ’Textured White’ and ‘Vanilla Bean’. Each vessel features its very own variations in form, glaze and texture with no two pieces ever the same. These vessels look beautiful displayed on their own but are also functional as they are watertight and food safe so they can become part of your home’s rituals.

...

Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. Suitable for holding water. 

Introducing pépite edits - bespoke collections of contemporary objects, designed by pépite, artist-made and exclusively available at pépite. 

VIEW ALL WORKS FROM pépite edits

pepite edits contemporary objects

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Ceramic Cutlery Rest - Artichoke
Pamine
$55.00
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Pamine

Ceramic Cutlery Rest - Artichoke

$55.00
/
Tax included.
OBJECT TYPE:
Cutlery Rest
MATERIALS:
Earthenware, Glazed
DIMENSIONS:
130mm x 35mm x 30mm
ORIGIN:
France


Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. 

Patricia Sardy (Pamine) is a French artist born in Dijon and currently based in the small village of Montélier in the Drôme department.
Having spent decades exploring diverse artistic mediums such as painting, drawing and bronze sculpture among others, Patricia is now predominantly working with clay. 
With a background in traditional ceramics, she has spent years experimenting with various techniques—ranging from wheel-throwing to sculptural handbuilding—blending the classic with the contemporary. Over time, her work has evolved into whimsical yet intricate pieces, often inspired by nature. 
We commissioned Patricia to create a series of ceramic vegetables intended as cutlery rests but also sculptures in their own right, infusing them with both playful and lifelike qualities. Patricia's work invites viewers to reconsider the everyday, transforming simple forms into objects of art that celebrate the beauty of the organic and the handmade.

 

VIEW ALL WORKS FROM THIS ARTIST 

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Pinch Vessel
Pinch Ceramics
$105.00
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Pinch Ceramics

Pinch Vessel

$105.00
/
Tax included.
OBJECT TYPE:
Vessel
MATERIALS:
Porcelain
DIMENSIONS:
80mm x 45mm
ORIGIN:
Sydney

Due to the nature of handmade, photos are only indicative as each piece varies slightly in size, shape and colour.

Alexandra Standen from PINCH CERAMICS is a Sydney based ceramic artist currently undertaking a Masters by research at UNSW Art and Design. The premise of Alexandra's work is to bring into question the fragility of ceramic objects, speaking to the process of making work in porcelain as well as ‘feeling uneasy’ around objects of fragile or precarious nature.

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Silver Coil Earrings
Kira Edwards
$220.00
KIRA EDWARDS is a contemporary jeweller, utilising traditional techniques to make organic sculptural pieces. Her work is an ode to the making process, embracing the imperfections and beauty that arise along the way. Exploring texture, sculpture and mixed metals, her work aims to capture a natural ease.
KIRA EDWARDS is a contemporary jeweller, utilising traditional techniques to make organic sculptural pieces. Her work is an ode to the making process, embracing the imperfections and beauty that arise along the way. Exploring texture, sculpture and mixed metals, her work aims to capture a natural ease.
KIRA EDWARDS is a contemporary jeweller, utilising traditional techniques to make organic sculptural pieces. Her work is an ode to the making process, embracing the imperfections and beauty that arise along the way. Exploring texture, sculpture and mixed metals, her work aims to capture a natural ease.
KIRA EDWARDS is a contemporary jeweller, utilising traditional techniques to make organic sculptural pieces. Her work is an ode to the making process, embracing the imperfections and beauty that arise along the way. Exploring texture, sculpture and mixed metals, her work aims to capture a natural ease.
KIRA EDWARDS is a contemporary jeweller, utilising traditional techniques to make organic sculptural pieces. Her work is an ode to the making process, embracing the imperfections and beauty that arise along the way. Exploring texture, sculpture and mixed metals, her work aims to capture a natural ease.
KIRA EDWARDS is a contemporary jeweller, utilising traditional techniques to make organic sculptural pieces. Her work is an ode to the making process, embracing the imperfections and beauty that arise along the way. Exploring texture, sculpture and mixed metals, her work aims to capture a natural ease.
Kira Edwards

Silver Coil Earrings

$220.00
/
Tax included.
OBJECT TYPE:
Jewellery
MATERIALS:
925 Sterling Silver 
DIMENSIONS:
 6mm thick, 16.5mm diameter
ORIGIN:
Melbourne / Naarm

Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. 

KIRA EDWARDS is a contemporary jeweller, utilising traditional techniques to make organic sculptural pieces. Her work is an ode to the making process, embracing the imperfections and beauty that arise along the way. Exploring texture, sculpture and mixed metals, her work aims to capture a natural ease.

Wearability is at the heart of her work. With conscious consumerism in mind, her work is made to be worn often and travel through life with the wearer, with the hope the pieces will be passed down generations.

Kira’s practice focuses on sustainability, using recycled materials where possible and making small quantities. Her work is made with love and consideration from her home studio in Naarm / Melbourne alongside her tiny bossy dog Pepper.

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'Celestial Cube' Ceramic Sculpture
Debbey Watson
$250.00
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Debbey Watson

'Celestial Cube' Ceramic Sculpture

$250.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
White Raku Clay
DIMENSIONS:
75 x 75 x 75mm
ORIGIN:
Warrane - Sydney


DEBBEY WATSON is a Sydney based ceramic artist working predominantly with slab-built geometric forms that are informed by her background in graphic design and interest in modern architecture. Her pieces use a limited palette of three clays, one of which is sourced from her garden, and remain unglazed emphasising the simplicity of form. Connections thread one form to the next using delicate inlaid lines.

Debbey completed a Fine Arts degree majoring in Ceramics at the National Art School, Sydney in 2017 before undertaking a ceramic residency in Rome during 2018.

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"Koloman" Glass Sculpture
Billy James Crellin
$130.00
Glass straw handmade by Adelaide-based duo Eva Novakova and Billy Crellin of Studio Dokola. Studio Dokola&
Glass straw handmade by Adelaide-based duo Eva Novakova and Billy Crellin of Studio Dokola. Studio Dokola&
Glass straw handmade by Adelaide-based duo Eva Novakova and Billy Crellin of Studio Dokola. Studio Dokola&
Glass straw handmade by Adelaide-based duo Eva Novakova and Billy Crellin of Studio Dokola. Studio Dokola's focus is to bring locally designed and hand-made functional glass-ware to the forefront of Australian design.
Glass straw handmade by Adelaide-based duo Eva Novakova and Billy Crellin of Studio Dokola. Studio Dokola's focus is to bring locally designed and hand-made functional glass-ware to the forefront of Australian design.
Glass straw handmade by Adelaide-based duo Eva Novakova and Billy Crellin of Studio Dokola. Studio Dokola's focus is to bring locally designed and hand-made functional glass-ware to the forefront of Australian design.
Billy James Crellin

"Koloman" Glass Sculpture

$130.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Glass
DIMENSIONS:
170mm x 70mm
ORIGIN:
Melbourne

Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour.

Billy James Crellin is a designer and conceptual glassmaker living in Melbourne. His inception in creative practice started at Sydney College of the Arts under the scope of photography, technology, and new media. Post-graduation (BVA Hons) he refined his practice to research and object focused, gaining much experience working across industries and applied art hubs throughout middle and northern Europe. His training in hot glass developed working at Australia’s foremost and oldest craft institute the JamFactory. 

Billy’s practice is split into two modes - creating conceptual sculptural works under his artist name whilst alongside this operating in commercial glass design and applied art under the guise Studio Dokola.

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Ceramic Platter - Small
Rina Bernabei
$200.00
Ceramic platter handmade by Rina Bernabei
Ceramic platter handmade by Rina Bernabei
Ceramic platter handmade by Rina Bernabei
Ceramic platter handmade by Rina Bernabei
Ceramic platter handmade by Rina Bernabei
Ceramic platter handmade by Rina Bernabei
Ceramic platter handmade by Rina Bernabei
Ceramic platter handmade by Rina Bernabei
Ceramic platter handmade by Rina Bernabei
Ceramic platter handmade by Rina Bernabei
Ceramic platter handmade by Rina Bernabei
Ceramic platter handmade by Rina Bernabei
Rina Bernabei

Ceramic Platter - Small

$200.00
/
Tax included.

 

OBJECT TYPE:
Platter
MATERIALS:
Clay, glazes
DIMENSIONS:
260 mm diameter x  35mm
ORIGIN:
Sydney - Gadi

Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. 

RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture. In 2018 Rina completed a traditional throwing course in Kyoto with a master ceramicist and in 2020 was asked to set up the 3D digital ceramic studio at Kyushu University in Fukuoka. Working within the Architecture and Design Faculty she ran workshops with students and with local craftsmen and ceramic studios. 

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Ceramic Cutlery Rest - Red Chilli
Pamine
$55.00
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Pamine

Ceramic Cutlery Rest - Red Chilli

$55.00
/
Tax included.
OBJECT TYPE:
Cutlery Rest
MATERIALS:
 Earthenware, Glazed
DIMENSIONS:
125mm x 20mm x 20mm
ORIGIN:
France


Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. 

Patricia Sardy (Pamine) is a French artist born in Dijon and currently based in the small village of Montélier in the Drôme department.
Having spent decades exploring diverse artistic mediums such as painting, drawing and bronze sculpture among others, Patricia is now predominantly working with clay. 
With a background in traditional ceramics, she has spent years experimenting with various techniques—ranging from wheel-throwing to sculptural handbuilding—blending the classic with the contemporary. Over time, her work has evolved into whimsical yet intricate pieces, often inspired by nature. 
We commissioned Patricia to create a series of ceramic vegetables intended as cutlery rests but also sculptures in their own right, infusing them with both playful and lifelike qualities. Patricia's work invites viewers to reconsider the everyday, transforming simple forms into objects of art that celebrate the beauty of the organic and the handmade.

 

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'Spheres IX' Ceramic Sculpture
Debbey Watson
$55.00
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
&
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
'Spheres IX' Ceramic Sculpture
Debbey Watson

'Spheres IX' Ceramic Sculpture

$55.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Clay, Slip Inlays
DIMENSIONS:
50mm diameter
ORIGIN:
Warrane - Sydney

Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. 

DEBBEY WATSON is a Sydney based ceramic artist working predominantly with slab-built geometric forms that are informed by her background in graphic design and interest in modern architecture. Her pieces use a limited palette of three clays, one of which is sourced from her garden, and remain unglazed emphasising the simplicity of form. Connections thread one form to the next using delicate inlaid lines.

Debbey completed a Fine Arts degree majoring in Ceramics at the National Art School, Sydney in 2017 before undertaking a ceramic residency in Rome during 2018.

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'Reflections' Ceramic Sculpture
Debbey Watson
$135.00
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Debbey Watson

'Reflections' Ceramic Sculpture

$135.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
White Raku Clay,  Slip Inlays
DIMENSIONS:
70 x 70 x 70mm
ORIGIN:
Warrane - Sydney

Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. 

DEBBEY WATSON is a Sydney based ceramic artist working predominantly with slab-built geometric forms that are informed by her background in graphic design and interest in modern architecture. Her pieces use a limited palette of three clays, one of which is sourced from her garden, and remain unglazed emphasising the simplicity of form. Connections thread one form to the next using delicate inlaid lines.

Debbey completed a Fine Arts degree majoring in Ceramics at the National Art School, Sydney in 2017 before undertaking a ceramic residency in Rome during 2018.

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Ceramic "Wall" Sculpture
Dawn Vachon
$180.00
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren&
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren&
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren&
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren&
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
Dawn Vachon

Ceramic "Wall" Sculpture

$180.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Clay
DIMENSIONS:
150mm x 130mm x 60mm
ORIGIN:
Melbourne

Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. 

DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.

VIEW ALL WORKS FROM THIS ARTIST

Dawn studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.

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Ceramic Cutlery Rest - Radish
Pamine
$55.00
Ceramic Cutlery Rest - Radish
Ceramic Cutlery Rest - Radish
Ceramic Cutlery Rest - Radish
Ceramic Cutlery Rest - Radish
Ceramic Cutlery Rest - Radish
Ceramic Cutlery Rest - Radish
Ceramic Cutlery Rest - Radish
Ceramic Cutlery Rest - Radish
Ceramic Cutlery Rest - Radish
Ceramic Cutlery Rest - Radish
Ceramic Cutlery Rest - Radish
Ceramic Cutlery Rest - Radish
Ceramic Cutlery Rest - Radish
Ceramic Cutlery Rest - Radish
Ceramic Cutlery Rest - Radish
Ceramic Cutlery Rest - Radish
Pamine

Ceramic Cutlery Rest - Radish

$55.00
/
Tax included.
OBJECT TYPE:
Cutlery Rest
MATERIALS:
 Earthenware, Glazed
DIMENSIONS:
110mm x 30mm x 35mm
ORIGIN:
France


Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. 

Patricia Sardy (Pamine) is a French artist born in Dijon and currently based in the small village of Montélier in the Drôme department.
Having spent decades exploring diverse artistic mediums such as painting, drawing and bronze sculpture among others, Patricia is now predominantly working with clay. 
With a background in traditional ceramics, she has spent years experimenting with various techniques—ranging from wheel-throwing to sculptural handbuilding—blending the classic with the contemporary. Over time, her work has evolved into whimsical yet intricate pieces, often inspired by nature. 
We commissioned Patricia to create a series of ceramic vegetables intended as cutlery rests but also sculptures in their own right, infusing them with both playful and lifelike qualities. Patricia's work invites viewers to reconsider the everyday, transforming simple forms into objects of art that celebrate the beauty of the organic and the handmade.

 

VIEW ALL WORKS FROM THIS ARTIST 

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Pinch Vessel
Pinch Ceramics
$105.00
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Pinch Ceramics

Pinch Vessel

$105.00
/
Tax included.
OBJECT TYPE:
Vessel
MATERIALS:
Porcelain
DIMENSIONS:
65mm x 40mm
ORIGIN:
Sydney


Alexandra Standen from PINCH CERAMICS is a Sydney based ceramic artist currently undertaking a Masters by research at UNSW Art and Design. The premise of Alexandra's work is to bring into question the fragility of ceramic objects, speaking to the process of making work in porcelain as well as ‘feeling uneasy’ around objects of fragile or precarious nature.

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Drapes 3D Printed Ceramic Vase
Alterfact
$145.00
ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality
ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality
ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality
ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality
ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality
ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality
Alterfact

Drapes 3D Printed Ceramic Vase

$145.00
/
Tax included.
OBJECT TYPE:
Vase
MATERIALS:
Porcelain
DIMENSIONS:
140mm x 100 x 100mm
ORIGIN:
Melbourne


Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. Suitable for holding water.

ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

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Small Black Ceramic Vessel
Alterfact
$100.00
Porcelain sculpture made by Alterfact using 3D printing techniques in clay. Alterfact is an Australian duo composed of ceramicist Lucile Sciallano and designer Ben Landau based in Melbourne where they create contemporary ceramics using 3D printing techniques.
Porcelain sculpture made by Alterfact using 3D printing techniques in clay. Alterfact is an Australian duo composed of ceramicist Lucile Sciallano and designer Ben Landau based in Melbourne where they create contemporary ceramics using 3D printing techniques.
Porcelain sculpture made by Alterfact using 3D printing techniques in clay. Alterfact is an Australian duo composed of ceramicist Lucile Sciallano and designer Ben Landau based in Melbourne where they create contemporary ceramics using 3D printing techniques.
Porcelain sculpture made by Alterfact using 3D printing techniques in clay. Alterfact is an Australian duo composed of ceramicist Lucile Sciallano and designer Ben Landau based in Melbourne where they create contemporary ceramics using 3D printing techniques.
Porcelain sculpture made by Alterfact using 3D printing techniques in clay. Alterfact is an Australian duo composed of ceramicist Lucile Sciallano and designer Ben Landau based in Melbourne where they create contemporary ceramics using 3D printing techniques.
Porcelain sculpture made by Alterfact using 3D printing techniques in clay. Alterfact is an Australian duo composed of ceramicist Lucile Sciallano and designer Ben Landau based in Melbourne where they create contemporary ceramics using 3D printing techniques.
Porcelain sculpture made by Alterfact using 3D printing techniques in clay. Alterfact is an Australian duo composed of ceramicist Lucile Sciallano and designer Ben Landau based in Melbourne where they create contemporary ceramics using 3D printing techniques.
Porcelain sculpture made by Alterfact using 3D printing techniques in clay. Alterfact is an Australian duo composed of ceramicist Lucile Sciallano and designer Ben Landau based in Melbourne where they create contemporary ceramics using 3D printing techniques.
Porcelain sculpture made by Alterfact using 3D printing techniques in clay. Alterfact is an Australian duo composed of ceramicist Lucile Sciallano and designer Ben Landau based in Melbourne where they create contemporary ceramics using 3D printing techniques.
Porcelain sculpture made by Alterfact using 3D printing techniques in clay. Alterfact is an Australian duo composed of ceramicist Lucile Sciallano and designer Ben Landau based in Melbourne where they create contemporary ceramics using 3D printing techniques.
Alterfact

Small Black Ceramic Vessel

$100.00
/
Tax included.
OBJECT TYPE:
Vessel
MATERIALS:
Porcelain, Glazed
DIMENSIONS:
90 x 60 x 60mm
ORIGIN:
Melbourne
Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. Suitable for holding water.

ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

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'Blade I' Ceramic Sculpture
Debbey Watson
$135.00
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Ceramic sculpture handmade by Sydney-based artist Debbey Watson. The minimal aesthetic of Debbey’s enclosed, slab-built geometric forms and contemporary ceramics is inspired by her interest in modern architecture and design.
Debbey Watson

'Blade I' Ceramic Sculpture

$135.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
White Raku Clay, Slip Inlays
DIMENSIONS:
60mm x 145mm x 70mm height 
ORIGIN:
Warrane - Sydney

Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. 

DEBBEY WATSON is a Sydney based ceramic artist working predominantly with slab-built geometric forms that are informed by her background in graphic design and interest in modern architecture. Her pieces use a limited palette of three clays, one of which is sourced from her garden, and remain unglazed emphasising the simplicity of form. Connections thread one form to the next using delicate inlaid lines.

Debbey completed a Fine Arts degree majoring in Ceramics at the National Art School, Sydney in 2017 before undertaking a ceramic residency in Rome during 2018.

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Ceramic Vessel
Jade Thorsen
$200.00
Ceramic vase handmade by Jade Thorsen
Ceramic vase handmade by Jade Thorsen
Ceramic vase handmade by Jade Thorsen
Ceramic vase handmade by Jade Thorsen
Ceramic vase handmade by Jade Thorsen
Ceramic vase handmade by Jade Thorsen
Ceramic vase handmade by Jade Thorsen
Ceramic vase handmade by Jade Thorsen
Jade Thorsen

Ceramic Vessel

$200.00
/
Tax included.
OBJECT TYPE:
Vase
MATERIALS:
Clay
DIMENSIONS:
280mm x 125mm
ORIGIN:
Naarm - Melbourne

Suitable for holding liquids.

JADE THORSEN is a Melbourne based ceramicist working from her North Fitzroy studio. Her practice focuses on wheel-thrown functional wares that sit somewhere between design, batch production and craft.

Jade’s background in Industrial Design formed her interest in ceramics and more broadly craft and ideas of slow making - a methodology she explores through her pieces that place just as much importance on the process as the final object.

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Crumpled Paper 3D Printed Ceramic Vase
Alterfact
$190.00
Porcelain sculpture made by Alterfact using 3D printing techniques in clay. Alterfact is an Australian duo composed of ceramicist Lucile Sciallano and designer Ben Landau based in Melbourne where they create contemporary ceramics using 3D printing techniques.
Porcelain sculpture made by Alterfact using 3D printing techniques in clay. Alterfact is an Australian duo composed of ceramicist Lucile Sciallano and designer Ben Landau based in Melbourne where they create contemporary ceramics using 3D printing techniques.
Porcelain sculpture made by Alterfact using 3D printing techniques in clay. Alterfact is an Australian duo composed of ceramicist Lucile Sciallano and designer Ben Landau based in Melbourne where they create contemporary ceramics using 3D printing techniques.
Porcelain sculpture made by Alterfact using 3D printing techniques in clay. Alterfact is an Australian duo composed of ceramicist Lucile Sciallano and designer Ben Landau based in Melbourne where they create contemporary ceramics using 3D printing techniques.
Porcelain sculpture made by Alterfact using 3D printing techniques in clay. Alterfact is an Australian duo composed of ceramicist Lucile Sciallano and designer Ben Landau based in Melbourne where they create contemporary ceramics using 3D printing techniques.
Porcelain sculpture made by Alterfact using 3D printing techniques in clay. Alterfact is an Australian duo composed of ceramicist Lucile Sciallano and designer Ben Landau based in Melbourne where they create contemporary ceramics using 3D printing techniques.
Porcelain sculpture made by Alterfact using 3D printing techniques in clay. Alterfact is an Australian duo composed of ceramicist Lucile Sciallano and designer Ben Landau based in Melbourne where they create contemporary ceramics using 3D printing techniques.
Porcelain sculpture made by Alterfact using 3D printing techniques in clay. Alterfact is an Australian duo composed of ceramicist Lucile Sciallano and designer Ben Landau based in Melbourne where they create contemporary ceramics using 3D printing techniques.
Alterfact

Crumpled Paper 3D Printed Ceramic Vase

$190.00
/
Tax included.
OBJECT TYPE:
Vase
MATERIALS:
Porcelain, Glaze
DIMENSIONS:
130 x 95 mm
ORIGIN:
Melbourne

Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. Suitable for holding water.

ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

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Volcanic Squiggle Vase Red
Sharon Alpren
$210.00
Ceramic Vase handmade by London born, Melbourne based potter Sharon Alpren. Sharon makes sculptural, yet practical pieces for the home. The characteristics of the clay, the glaze and the fire direct her hand-built and wheel-thrown contemporary ceramics.
Ceramic Vase handmade by London born, Melbourne based potter Sharon Alpren. Sharon makes sculptural, yet practical pieces for the home. The characteristics of the clay, the glaze and the fire direct her hand-built and wheel-thrown contemporary ceramics.
Ceramic Vase handmade by London born, Melbourne based potter Sharon Alpren. Sharon makes sculptural, yet practical pieces for the home. The characteristics of the clay, the glaze and the fire direct her hand-built and wheel-thrown contemporary ceramics.
Ceramic Vase handmade by London born, Melbourne based potter Sharon Alpren. Sharon makes sculptural, yet practical pieces for the home. The characteristics of the clay, the glaze and the fire direct her hand-built and wheel-thrown contemporary ceramics.
Ceramic Vase handmade by London born, Melbourne based potter Sharon Alpren. Sharon makes sculptural, yet practical pieces for the home. The characteristics of the clay, the glaze and the fire direct her hand-built and wheel-thrown contemporary ceramics.
Ceramic Vase handmade by London born, Melbourne based potter Sharon Alpren. Sharon makes sculptural, yet practical pieces for the home. The characteristics of the clay, the glaze and the fire direct her hand-built and wheel-thrown contemporary ceramics.
Sharon Alpren

Volcanic Squiggle Vase Red

$210.00
/
Tax included.
OBJECT TYPE:
Vase
MATERIALS:
Clay
DIMENSIONS:
215mm x 220mm
ORIGIN:
Melbourne

Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. Suitable for holding water.

SHARON ALPREN is a Melbourne based ceramic artist working out of her home studio in the Macedon Ranges. Sharon took up ceramics 15 years ago after relocating to Australia from her native UK where she had a background in Textiles.

Working with a mix of wheel-throwing and hand-building techniques, Sharon's work strikes a balance between creating both functional and sculptural pieces for the home, resulting in resilient everyday pieces without compromising on aesthetic. Sharon is particularly interested in glazes and texture and is constantly experimenting with creating her own glaze recipes.

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Ceramic Jug - Pale Peach
Yuro Cuchor
$245.00
Ceramic jug by ceramicist Yuro Cuchor
Ceramic jug by ceramicist Yuro Cuchor
Ceramic jug by ceramicist Yuro Cuchor
Ceramic jug by ceramicist Yuro Cuchor
Ceramic jug by ceramicist Yuro Cuchor
Ceramic jug by ceramicist Yuro Cuchor
Ceramic jug by ceramicist Yuro Cuchor
Ceramic jug by ceramicist Yuro Cuchor
Ceramic jug by ceramicist Yuro Cuchor
Ceramic jug by ceramicist Yuro Cuchor
Ceramic jug by ceramicist Yuro Cuchor
Ceramic jug by ceramicist Yuro Cuchor
Yuro Cuchor

Ceramic Jug - Pale Peach

$245.00
/
Tax included.
OBJECT TYPE:
Water Jug
MATERIALS:
Clay
DIMENSIONS:
270mm x 170mm
ORIGIN:
Adelaide

Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. Suitable for holding water.

YURO CUCHOR is a South Australia based artist who is originally from Slovakia. Yuro studied Ceramics and Stone Restoration in Slovakia and later graduated from University of South Australia with a Bachelor of Visual Arts. Yuro's contemporary ceramics are created using handbuilding and slipcasting techniques - at the heart of Yuro's practice is a keen interested in experimenting with a lot of different materials, often mixing them together. Alongside his functional pieces like his signature jugs, Yuro also creates sculptural works that are often based on simple geometric shapes which are then put together in various ways, enabling endless possibilities.

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Yuro Cuchor
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Porcelain "Fused" Vessel
Studio Mulders
$85.00
Small porcelain vase handmade by Perth-based ceramicist Annemieke Mulders. Inspired by elements found in nature, Annemieke predominantly works with slipcasting techniques to create contemporary ceramics with interesting forms and tactile surfaces using fine porcelain and stoneware clays.
Small porcelain vase handmade by Perth-based ceramicist Annemieke Mulders. Inspired by elements found in nature, Annemieke predominantly works with slipcasting techniques to create contemporary ceramics with interesting forms and tactile surfaces using fine porcelain and stoneware clays.
Small porcelain vase handmade by Perth-based ceramicist Annemieke Mulders. Inspired by elements found in nature, Annemieke predominantly works with slipcasting techniques to create contemporary ceramics with interesting forms and tactile surfaces using fine porcelain and stoneware clays.
Small porcelain vase handmade by Perth-based ceramicist Annemieke Mulders. Inspired by elements found in nature, Annemieke predominantly works with slipcasting techniques to create contemporary ceramics with interesting forms and tactile surfaces using fine porcelain and stoneware clays.
Small porcelain vase handmade by Perth-based ceramicist Annemieke Mulders. Inspired by elements found in nature, Annemieke predominantly works with slipcasting techniques to create contemporary ceramics with interesting forms and tactile surfaces using fine porcelain and stoneware clays.
Small porcelain vase handmade by Perth-based ceramicist Annemieke Mulders. Inspired by elements found in nature, Annemieke predominantly works with slipcasting techniques to create contemporary ceramics with interesting forms and tactile surfaces using fine porcelain and stoneware clays.
Studio Mulders

Porcelain "Fused" Vessel

$85.00
/
Tax included.
OBJECT TYPE:
Vase
MATERIALS:
Porcelain, Glaze
DIMENSIONS:
100mm x 100mm x 100mm
ORIGIN:
Perth

Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. Suitable for holding liquids.

STUDIO MULDERS is a Perth based creative project of Annemieke who worked across the world as a scientist before becoming a ceramic artist in 2014. Her work explores the intersection of order, chaos, function, asymmetry and beauty.

She uses discarded vessels that are changed by cutting, rearranging or breaking part of its surface. This process of destruction and building up creates a form that is simultaneously fragile, robust, complex and simple. This inherent contrariness demands questioning and defies simple categorisation.

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Porcelain Cup
La Petite Fabrique de Brunswick
$40.00
Porcelain Asymmetrical breakfast Bowl handmade by Melbourne-based ceramicist Lucile Sciallano from La Petite Fabrique De Brunswick. Originally from France, Lucile now works from her Brunswick garden shed where she creates a variety of tableware using slip cast techniques and hand-painted patterns.
Porcelain Asymmetrical breakfast Bowl handmade by Melbourne-based ceramicist Lucile Sciallano from La Petite Fabrique De Brunswick. Originally from France, Lucile now works from her Brunswick garden shed where she creates a variety of tableware using slip cast techniques and hand-painted patterns.
Porcelain Asymmetrical breakfast Bowl handmade by Melbourne-based ceramicist Lucile Sciallano from La Petite Fabrique De Brunswick. Originally from France, Lucile now works from her Brunswick garden shed where she creates a variety of tableware using slip cast techniques and hand-painted patterns.
Porcelain Asymmetrical breakfast Bowl handmade by Melbourne-based ceramicist Lucile Sciallano from La Petite Fabrique De Brunswick. Originally from France, Lucile now works from her Brunswick garden shed where she creates a variety of tableware using slip cast techniques and hand-painted patterns.
Porcelain Asymmetrical breakfast Bowl handmade by Melbourne-based ceramicist Lucile Sciallano from La Petite Fabrique De Brunswick. Originally from France, Lucile now works from her Brunswick garden shed where she creates a variety of tableware using slip cast techniques and hand-painted patterns.
Porcelain Asymmetrical breakfast Bowl handmade by Melbourne-based ceramicist Lucile Sciallano from La Petite Fabrique De Brunswick. Originally from France, Lucile now works from her Brunswick garden shed where she creates a variety of tableware using slip cast techniques and hand-painted patterns.
La Petite Fabrique de Brunswick

Porcelain Cup

$40.00
/
Tax included.
OBJECT TYPE:
Cup
MATERIALS:
Porcelain
DIMENSIONS:
90mm diameter x 80mm
ORIGIN:
Melbourne

Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. Suitable for food.

LA PETITE FABRIQUE DE BRUNSWICK is a Melbourne based ceramic studio created by artist Lucile in 2014. Lucile was born in the south of France and now works from her garden shed in Brunswick.

Slip cast techniques are used to create functional and sculptural bowls, cups and teapots that begin with a prototype used to make a mould to cast the iterations of each shape. Using pigments to colour the porcelain, Lucile applies patterns by hand to make each piece unique.

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