Ceramics

Ceramic Sculpture titled 'Too Well'
Mathieu Frossard
$2,715.00
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
Mathieu Frossard

Ceramic Sculpture titled 'Too Well'

$2,715.00
/
Tax included.
OBJECT TYPE:
Artwork
MATERIALS:
Earthenware, Glaze, Luster
DIMENSIONS:
26cm x 14cm x 14cm
ORIGIN:
 Strasbourg, France


Please note that all artwork sales are final.

Living and working in France, MATHIEU FROSSARD's work stands somewhere between art, design and craft. Looking at these practices from a distance, Mathieu's work is a collage of aesthetic references, shapes and materials that blur boundaries and offer multiple paths for the viewer to apprehend his work.

Giving viewers visual references, Mathieu pushes them to confront their own imaginative faculties, inviting them to interpret these as their own and to create stories based on what they see. Mathieu graduated in art and design from ESAD in Rheims, France, and from the Design Academy in Eindhoven, the Netherlands.

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Ceramic Sculpture titled 'That One Time'
Mathieu Frossard
$1,580.00
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
Mathieu Frossard

Ceramic Sculpture titled 'That One Time'

$1,580.00
/
Tax included.
OBJECT TYPE:
Artwork
MATERIALS:
Earthenware, Glaze, Luster
DIMENSIONS:
11cm x 18cm x 18cm
ORIGIN:
 Strasbourg, France


Please note that all artwork sales are final.

Living and working in France, MATHIEU FROSSARD's work stands somewhere between art, design and craft. Looking at these practices from a distance, Mathieu's work is a collage of aesthetic references, shapes and materials that blur boundaries and offer multiple paths for the viewer to apprehend his work.

Giving viewers visual references, Mathieu pushes them to confront their own imaginative faculties, inviting them to interpret these as their own and to create stories based on what they see. Mathieu graduated in art and design from ESAD in Rheims, France, and from the Design Academy in Eindhoven, the Netherlands.

VIEW ALL WORKS FROM THIS ARTIST

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Ceramic Sculpture titled 'Night Call'
Mathieu Frossard
$3,280.00
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
Mathieu Frossard

Ceramic Sculpture titled 'Night Call'

$3,280.00
/
Tax included.
OBJECT TYPE:
Artwork
MATERIALS:
Earthenware, Glaze, Luster
DIMENSIONS:
31cm x 18cm x 18cm
ORIGIN:
 Strasbourg, France


Please note that all artwork sales are final.

Living and working in France, MATHIEU FROSSARD's work stands somewhere between art, design and craft. Looking at these practices from a distance, Mathieu's work is a collage of aesthetic references, shapes and materials that blur boundaries and offer multiple paths for the viewer to apprehend his work.

Giving viewers visual references, Mathieu pushes them to confront their own imaginative faculties, inviting them to interpret these as their own and to create stories based on what they see. Mathieu graduated in art and design from ESAD in Rheims, France, and from the Design Academy in Eindhoven, the Netherlands.

VIEW ALL WORKS FROM THIS ARTIST

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Ceramic Sculpture titled 'It Went Through'
Mathieu Frossard
$1,515.00
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
Mathieu Frossard

Ceramic Sculpture titled 'It Went Through'

$1,515.00
/
Tax included.
OBJECT TYPE:
Artwork
MATERIALS:
Earthenware, Glaze, Luster
DIMENSIONS:
11cm x 25cm x 25cm
ORIGIN:
 Strasbourg, France


Please note that all artwork sales are final.

Living and working in France, MATHIEU FROSSARD's work stands somewhere between art, design and craft. Looking at these practices from a distance, Mathieu's work is a collage of aesthetic references, shapes and materials that blur boundaries and offer multiple paths for the viewer to apprehend his work.

Giving viewers visual references, Mathieu pushes them to confront their own imaginative faculties, inviting them to interpret these as their own and to create stories based on what they see. Mathieu graduated in art and design from ESAD in Rheims, France, and from the Design Academy in Eindhoven, the Netherlands.

VIEW ALL WORKS FROM THIS ARTIST

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Ceramic Sculpture titled 'Ever Since'
Mathieu Frossard
$2,190.00
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
Mathieu Frossard

Ceramic Sculpture titled 'Ever Since'

$2,190.00
/
Tax included.
OBJECT TYPE:
Artwork
MATERIALS:
Earthenware, Glaze, Luster
DIMENSIONS:
16cm x 29cm x 29cm
ORIGIN:
 Strasbourg, France


Please note that all artwork sales are final.

Living and working in France, MATHIEU FROSSARD's work stands somewhere between art, design and craft. Looking at these practices from a distance, Mathieu's work is a collage of aesthetic references, shapes and materials that blur boundaries and offer multiple paths for the viewer to apprehend his work.

Giving viewers visual references, Mathieu pushes them to confront their own imaginative faculties, inviting them to interpret these as their own and to create stories based on what they see. Mathieu graduated in art and design from ESAD in Rheims, France, and from the Design Academy in Eindhoven, the Netherlands.

VIEW ALL WORKS FROM THIS ARTIST

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Ceramic Sculpture titled 'Almost Good'
Mathieu Frossard
$1,275.00
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
Mathieu Frossard

Ceramic Sculpture titled 'Almost Good'

$1,275.00
/
Tax included.
OBJECT TYPE:
Artwork
MATERIALS:
Earthenware, Glaze, Luster
DIMENSIONS:
11cm x 24cm x 24cm
ORIGIN:
 Strasbourg, France


Please note that all artwork sales are final.

Living and working in France, MATHIEU FROSSARD's work stands somewhere between art, design and craft. Looking at these practices from a distance, Mathieu's work is a collage of aesthetic references, shapes and materials that blur boundaries and offer multiple paths for the viewer to apprehend his work.

Giving viewers visual references, Mathieu pushes them to confront their own imaginative faculties, inviting them to interpret these as their own and to create stories based on what they see. Mathieu graduated in art and design from ESAD in Rheims, France, and from the Design Academy in Eindhoven, the Netherlands.

VIEW ALL WORKS FROM THIS ARTIST

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Ceramic Sculpture titled 'About Last Night'
Mathieu Frossard
$3,390.00
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
Mathieu Frossard

Ceramic Sculpture titled 'About Last Night'

$3,390.00
/
Tax included.
OBJECT TYPE:
Artwork
MATERIALS:
Earthenware, Glaze, Luster
DIMENSIONS:
29cm x 24cm x 24cm
ORIGIN:
 Strasbourg, France


Please note that all artwork sales are final.

Living and working in France, MATHIEU FROSSARD's work stands somewhere between art, design and craft. Looking at these practices from a distance, Mathieu's work is a collage of aesthetic references, shapes and materials that blur boundaries and offer multiple paths for the viewer to apprehend his work.

Giving viewers visual references, Mathieu pushes them to confront their own imaginative faculties, inviting them to interpret these as their own and to create stories based on what they see. Mathieu graduated in art and design from ESAD in Rheims, France, and from the Design Academy in Eindhoven, the Netherlands.

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Ceramic Vessel
Dawn Vachon
$720.00
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren&
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren&
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren&
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren&
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren&
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
Dawn Vachon

Ceramic Vessel

$720.00
/
Tax included.
OBJECT TYPE:
Vessel
MATERIALS:
Clay, Glaze
DIMENSIONS:
300mm x 150mm
ORIGIN:
Melbourne - Naarm

Suitable for holding water.

DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.

VIEW ALL WORKS FROM THIS ARTIST

Dawn studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.

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Ceramic Vessel
Dawn Vachon
$600.00
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren&
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren&
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren&
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren&
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
Dawn Vachon

Ceramic Vessel

$600.00
/
Tax included.
OBJECT TYPE:
Vessel
MATERIALS:
Clay, Glaze
DIMENSIONS:
200mm x 160mm
ORIGIN:
Melbourne - Naarm

Suitable for holding water.

DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.

VIEW ALL WORKS FROM THIS ARTIST

Dawn studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.

Cart
Ceramic Vessel
Dawn Vachon
$600.00
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren&
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren&
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren&
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren&
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren&
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
Dawn Vachon

Ceramic Vessel

$600.00
/
Tax included.
OBJECT TYPE:
Vessel
MATERIALS:
Clay, Glaze
DIMENSIONS:
300mm x 150mm
ORIGIN:
Melbourne - Naarm

 Suitable for holding water.

DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.

VIEW ALL WORKS FROM THIS ARTIST

Dawn studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.

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Ceramic Vessel
Dawn Vachon
$600.00
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren&
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren&
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren&
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren&
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
Dawn Vachon

Ceramic Vessel

$600.00
/
Tax included.
OBJECT TYPE:
Vessel
MATERIALS:
Clay, Glaze
DIMENSIONS:
280mm x 150mm
ORIGIN:
Melbourne - Naarm

Suitable for holding water.

DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.

VIEW ALL WORKS FROM THIS ARTIST

Dawn studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.

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Ceramic Cutlery Rest - Carrot
Pamine
$55.00
Ceramic Cutlery Rest - Carrot
Ceramic Cutlery Rest - Carrot
Ceramic Cutlery Rest - Carrot
Ceramic Cutlery Rest - Carrot
Ceramic Cutlery Rest - Carrot
Ceramic Cutlery Rest - Carrot
Ceramic Cutlery Rest - Carrot
Ceramic Cutlery Rest - Carrot
Ceramic Cutlery Rest - Carrot
Ceramic Cutlery Rest - Carrot
Ceramic Cutlery Rest - Carrot
Ceramic Cutlery Rest - Carrot
Ceramic Cutlery Rest - Carrot
Ceramic Cutlery Rest - Carrot
Ceramic Cutlery Rest - Carrot
Ceramic Cutlery Rest - Carrot
Pamine

Ceramic Cutlery Rest - Carrot

$55.00
/
Tax included.
OBJECT TYPE:
Cutlery Rest
MATERIALS:
 Earthenware, Glazed
DIMENSIONS:
130mm x 25mm x 20mm
ORIGIN:
France


Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. 

Patricia Sardy (Pamine) is a French artist born in Dijon and currently based in the small village of Montélier in the Drôme department.
Having spent decades exploring diverse artistic mediums such as painting, drawing and bronze sculpture among others, Patricia is now predominantly working with clay. 
With a background in traditional ceramics, she has spent years experimenting with various techniques—ranging from wheel-throwing to sculptural handbuilding—blending the classic with the contemporary. Over time, her work has evolved into whimsical yet intricate pieces, often inspired by nature. 
We commissioned Patricia to create a series of ceramic vegetables intended as cutlery rests but also sculptures in their own right, infusing them with both playful and lifelike qualities. Patricia's work invites viewers to reconsider the everyday, transforming simple forms into objects of art that celebrate the beauty of the organic and the handmade.

 

VIEW ALL WORKS FROM THIS ARTIST 

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Ceramic Cutlery Rest - Purple Aspargus
Pamine
$55.00
Ceramic Cutlery Rest - Purple Aspargus
Ceramic Cutlery Rest - Purple Aspargus
Ceramic Cutlery Rest - Purple Aspargus
Ceramic Cutlery Rest - Purple Aspargus
Ceramic Cutlery Rest - Purple Aspargus
Ceramic Cutlery Rest - Purple Aspargus
Ceramic Cutlery Rest - Purple Aspargus
Ceramic Cutlery Rest - Purple Aspargus
Ceramic Cutlery Rest - Purple Aspargus
Ceramic Cutlery Rest - Purple Aspargus
Ceramic Cutlery Rest - Purple Aspargus
Ceramic Cutlery Rest - Purple Aspargus
Ceramic Cutlery Rest - Purple Aspargus
Ceramic Cutlery Rest - Purple Aspargus
Ceramic Cutlery Rest - Purple Aspargus
Ceramic Cutlery Rest - Purple Aspargus
Pamine

Ceramic Cutlery Rest - Purple Aspargus

$55.00
/
Tax included.
OBJECT TYPE:
Cutlery Rest
MATERIALS:
 Earthenware, Glazed
DIMENSIONS:
120mm x 20mm x 15mm
ORIGIN:
France


Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. 

Patricia Sardy (Pamine) is a French artist born in Dijon and currently based in the small village of Montélier in the Drôme department.
Having spent decades exploring diverse artistic mediums such as painting, drawing and bronze sculpture among others, Patricia is now predominantly working with clay. 
With a background in traditional ceramics, she has spent years experimenting with various techniques—ranging from wheel-throwing to sculptural handbuilding—blending the classic with the contemporary. Over time, her work has evolved into whimsical yet intricate pieces, often inspired by nature. 
We commissioned Patricia to create a series of ceramic vegetables intended as cutlery rests but also sculptures in their own right, infusing them with both playful and lifelike qualities. Patricia's work invites viewers to reconsider the everyday, transforming simple forms into objects of art that celebrate the beauty of the organic and the handmade.

 

VIEW ALL WORKS FROM THIS ARTIST 

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Ceramic Cutlery Rest - Green Chilli
Pamine
$55.00
Ceramic Cutlery Rest - Green Chilli
Ceramic Cutlery Rest - Green Chilli
Ceramic Cutlery Rest - Green Chilli
Ceramic Cutlery Rest - Green Chilli
Ceramic Cutlery Rest - Green Chilli
Ceramic Cutlery Rest - Green Chilli
Ceramic Cutlery Rest - Green Chilli
Ceramic Cutlery Rest - Green Chilli
Ceramic Cutlery Rest - Green Chilli
Ceramic Cutlery Rest - Green Chilli
Ceramic Cutlery Rest - Green Chilli
Ceramic Cutlery Rest - Green Chilli
Ceramic Cutlery Rest - Green Chilli
Ceramic Cutlery Rest - Green Chilli
Ceramic Cutlery Rest - Green Chilli
Ceramic Cutlery Rest - Green Chilli
Pamine

Ceramic Cutlery Rest - Green Chilli

$55.00
/
Tax included.
OBJECT TYPE:
Cutlery Rest
MATERIALS:
 Earthenware, Glazed
DIMENSIONS:
125mm x 25mm x 20mm
ORIGIN:
France


Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. 

Patricia Sardy (Pamine) is a French artist born in Dijon and currently based in the small village of Montélier in the Drôme department.
Having spent decades exploring diverse artistic mediums such as painting, drawing and bronze sculpture among others, Patricia is now predominantly working with clay. 
With a background in traditional ceramics, she has spent years experimenting with various techniques—ranging from wheel-throwing to sculptural handbuilding—blending the classic with the contemporary. Over time, her work has evolved into whimsical yet intricate pieces, often inspired by nature. 
We commissioned Patricia to create a series of ceramic vegetables intended as cutlery rests but also sculptures in their own right, infusing them with both playful and lifelike qualities. Patricia's work invites viewers to reconsider the everyday, transforming simple forms into objects of art that celebrate the beauty of the organic and the handmade.

 

VIEW ALL WORKS FROM THIS ARTIST 

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Ceramic Cutlery Rest - Red Chilli
Pamine
$55.00
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Ceramic Cutlery Rest - Red Chilli
Pamine

Ceramic Cutlery Rest - Red Chilli

$55.00
/
Tax included.
OBJECT TYPE:
Cutlery Rest
MATERIALS:
 Earthenware, Glazed
DIMENSIONS:
125mm x 20mm x 20mm
ORIGIN:
France


Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. 

Patricia Sardy (Pamine) is a French artist born in Dijon and currently based in the small village of Montélier in the Drôme department.
Having spent decades exploring diverse artistic mediums such as painting, drawing and bronze sculpture among others, Patricia is now predominantly working with clay. 
With a background in traditional ceramics, she has spent years experimenting with various techniques—ranging from wheel-throwing to sculptural handbuilding—blending the classic with the contemporary. Over time, her work has evolved into whimsical yet intricate pieces, often inspired by nature. 
We commissioned Patricia to create a series of ceramic vegetables intended as cutlery rests but also sculptures in their own right, infusing them with both playful and lifelike qualities. Patricia's work invites viewers to reconsider the everyday, transforming simple forms into objects of art that celebrate the beauty of the organic and the handmade.

 

VIEW ALL WORKS FROM THIS ARTIST 

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Ceramic Cutlery Rest - Artichoke
Pamine
$55.00
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Ceramic Cutlery Rest - Artichoke
Pamine

Ceramic Cutlery Rest - Artichoke

$55.00
/
Tax included.
OBJECT TYPE:
Cutlery Rest
MATERIALS:
Earthenware, Glazed
DIMENSIONS:
130mm x 35mm x 30mm
ORIGIN:
France


Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. 

Patricia Sardy (Pamine) is a French artist born in Dijon and currently based in the small village of Montélier in the Drôme department.
Having spent decades exploring diverse artistic mediums such as painting, drawing and bronze sculpture among others, Patricia is now predominantly working with clay. 
With a background in traditional ceramics, she has spent years experimenting with various techniques—ranging from wheel-throwing to sculptural handbuilding—blending the classic with the contemporary. Over time, her work has evolved into whimsical yet intricate pieces, often inspired by nature. 
We commissioned Patricia to create a series of ceramic vegetables intended as cutlery rests but also sculptures in their own right, infusing them with both playful and lifelike qualities. Patricia's work invites viewers to reconsider the everyday, transforming simple forms into objects of art that celebrate the beauty of the organic and the handmade.

 

VIEW ALL WORKS FROM THIS ARTIST 

Cart
Ceramic Cutlery Rest - Garlic
Pamine
$55.00
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Ceramic Cutlery Rest - Garlic
Pamine

Ceramic Cutlery Rest - Garlic

$55.00
/
Tax included.
OBJECT TYPE:
Cutlery Rest
MATERIALS:
 Earthenware, Glazed
DIMENSIONS:
125mm x 40mm x 25mm
ORIGIN:
France


Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. 

Patricia Sardy (Pamine) is a French artist born in Dijon and currently based in the small village of Montélier in the Drôme department.
Having spent decades exploring diverse artistic mediums such as painting, drawing and bronze sculpture among others, Patricia is now predominantly working with clay. 
With a background in traditional ceramics, she has spent years experimenting with various techniques—ranging from wheel-throwing to sculptural handbuilding—blending the classic with the contemporary. Over time, her work has evolved into whimsical yet intricate pieces, often inspired by nature. 
We commissioned Patricia to create a series of ceramic vegetables intended as cutlery rests but also sculptures in their own right, infusing them with both playful and lifelike qualities. Patricia's work invites viewers to reconsider the everyday, transforming simple forms into objects of art that celebrate the beauty of the organic and the handmade.

 

VIEW ALL WORKS FROM THIS ARTIST 

Cart
Ceramic Cutlery Rest - Mushroom Bolet
Pamine
$55.00
Ceramic Cutlery Rest - Mushroom Bolet
Ceramic Cutlery Rest - Mushroom Bolet
Ceramic Cutlery Rest - Mushroom Bolet
Ceramic Cutlery Rest - Mushroom Bolet
Ceramic Cutlery Rest - Mushroom Bolet
Ceramic Cutlery Rest - Mushroom Bolet
Ceramic Cutlery Rest - Mushroom Bolet
Ceramic Cutlery Rest - Mushroom Bolet
Ceramic Cutlery Rest - Mushroom Bolet
Ceramic Cutlery Rest - Mushroom Bolet
Ceramic Cutlery Rest - Mushroom Bolet
Ceramic Cutlery Rest - Mushroom Bolet
Ceramic Cutlery Rest - Mushroom Bolet
Ceramic Cutlery Rest - Mushroom Bolet
Ceramic Cutlery Rest - Mushroom Bolet
Ceramic Cutlery Rest - Mushroom Bolet
Pamine

Ceramic Cutlery Rest - Mushroom Bolet

$55.00
/
Tax included.
OBJECT TYPE:
Cutlery Rest
MATERIALS:
 Earthenware, Glazed
DIMENSIONS:
100mm x 55mm x 50mm
ORIGIN:
France


Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. 

Patricia Sardy (Pamine) is a French artist born in Dijon and currently based in the small village of Montélier in the Drôme department.
Having spent decades exploring diverse artistic mediums such as painting, drawing and bronze sculpture among others, Patricia is now predominantly working with clay. 
With a background in traditional ceramics, she has spent years experimenting with various techniques—ranging from wheel-throwing to sculptural handbuilding—blending the classic with the contemporary. Over time, her work has evolved into whimsical yet intricate pieces, often inspired by nature. 
We commissioned Patricia to create a series of ceramic vegetables intended as cutlery rests but also sculptures in their own right, infusing them with both playful and lifelike qualities. Patricia's work invites viewers to reconsider the everyday, transforming simple forms into objects of art that celebrate the beauty of the organic and the handmade.

 

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Ceramic Cutlery Rest - Porcini Mushroom
Pamine
$55.00
Ceramic Cutlery Rest - Porcini Mushroom
Ceramic Cutlery Rest - Porcini Mushroom
Ceramic Cutlery Rest - Porcini Mushroom
Ceramic Cutlery Rest - Porcini Mushroom
Ceramic Cutlery Rest - Porcini Mushroom
Ceramic Cutlery Rest - Porcini Mushroom
Ceramic Cutlery Rest - Porcini Mushroom
Ceramic Cutlery Rest - Porcini Mushroom
Ceramic Cutlery Rest - Porcini Mushroom
Ceramic Cutlery Rest - Porcini Mushroom
Ceramic Cutlery Rest - Porcini Mushroom
Ceramic Cutlery Rest - Porcini Mushroom
Ceramic Cutlery Rest - Porcini Mushroom
Ceramic Cutlery Rest - Porcini Mushroom
Ceramic Cutlery Rest - Porcini Mushroom
Ceramic Cutlery Rest - Porcini Mushroom
Pamine

Ceramic Cutlery Rest - Porcini Mushroom

$55.00
/
Tax included.
OBJECT TYPE:
Cutlery Rest
MATERIALS:
 Earthenware, Glazed
DIMENSIONS:
100mm x 50mm x 40mm
ORIGIN:
France


Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. 

Patricia Sardy (Pamine) is a French artist born in Dijon and currently based in the small village of Montélier in the Drôme department.
Having spent decades exploring diverse artistic mediums such as painting, drawing and bronze sculpture among others, Patricia is now predominantly working with clay. 
With a background in traditional ceramics, she has spent years experimenting with various techniques—ranging from wheel-throwing to sculptural handbuilding—blending the classic with the contemporary. Over time, her work has evolved into whimsical yet intricate pieces, often inspired by nature. 
We commissioned Patricia to create a series of ceramic vegetables intended as cutlery rests but also sculptures in their own right, infusing them with both playful and lifelike qualities. Patricia's work invites viewers to reconsider the everyday, transforming simple forms into objects of art that celebrate the beauty of the organic and the handmade.

 

VIEW ALL WORKS FROM THIS ARTIST 

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Volcanic Squiggle Vase Blue - Large
Sharon Alpren
$450.00
Ceramic Vase handmade by London born, Melbourne based potter Sharon Alpren. Sharon makes sculptural, yet practical pieces for the home. The characteristics of the clay, the glaze and the fire direct her hand-built and wheel-thrown contemporary ceramics.
Ceramic Vase handmade by London born, Melbourne based potter Sharon Alpren. Sharon makes sculptural, yet practical pieces for the home. The characteristics of the clay, the glaze and the fire direct her hand-built and wheel-thrown contemporary ceramics.
Ceramic Vase handmade by London born, Melbourne based potter Sharon Alpren. Sharon makes sculptural, yet practical pieces for the home. The characteristics of the clay, the glaze and the fire direct her hand-built and wheel-thrown contemporary ceramics.
Ceramic Vase handmade by London born, Melbourne based potter Sharon Alpren. Sharon makes sculptural, yet practical pieces for the home. The characteristics of the clay, the glaze and the fire direct her hand-built and wheel-thrown contemporary ceramics.
Ceramic Vase handmade by London born, Melbourne based potter Sharon Alpren. Sharon makes sculptural, yet practical pieces for the home. The characteristics of the clay, the glaze and the fire direct her hand-built and wheel-thrown contemporary ceramics.
Ceramic Vase handmade by London born, Melbourne based potter Sharon Alpren. Sharon makes sculptural, yet practical pieces for the home. The characteristics of the clay, the glaze and the fire direct her hand-built and wheel-thrown contemporary ceramics.
Ceramic Vase handmade by London born, Melbourne based potter Sharon Alpren. Sharon makes sculptural, yet practical pieces for the home. The characteristics of the clay, the glaze and the fire direct her hand-built and wheel-thrown contemporary ceramics.
Ceramic Vase handmade by London born, Melbourne based potter Sharon Alpren. Sharon makes sculptural, yet practical pieces for the home. The characteristics of the clay, the glaze and the fire direct her hand-built and wheel-thrown contemporary ceramics.
Ceramic Vase handmade by London born, Melbourne based potter Sharon Alpren. Sharon makes sculptural, yet practical pieces for the home. The characteristics of the clay, the glaze and the fire direct her hand-built and wheel-thrown contemporary ceramics.
Ceramic Vase handmade by London born, Melbourne based potter Sharon Alpren. Sharon makes sculptural, yet practical pieces for the home. The characteristics of the clay, the glaze and the fire direct her hand-built and wheel-thrown contemporary ceramics.
Ceramic Vase handmade by London born, Melbourne based potter Sharon Alpren. Sharon makes sculptural, yet practical pieces for the home. The characteristics of the clay, the glaze and the fire direct her hand-built and wheel-thrown contemporary ceramics.
Ceramic Vase handmade by London born, Melbourne based potter Sharon Alpren. Sharon makes sculptural, yet practical pieces for the home. The characteristics of the clay, the glaze and the fire direct her hand-built and wheel-thrown contemporary ceramics.
Sharon Alpren

Volcanic Squiggle Vase Blue - Large

$450.00
/
Tax included.
OBJECT TYPE:
Vase
MATERIALS:
Clay, Glaze
DIMENSIONS:
335mmx 190mm x 90mm 
ORIGIN:
Melbourne

Suitable for holding water.

SHARON ALPREN is a Melbourne based ceramic artist working out of her home studio in the Macedon Ranges. Sharon took up ceramics 15 years ago after relocating to Australia from her native UK where she had a background in Textiles.

Working with a mix of wheel-throwing and hand-building techniques, Sharon's work strikes a balance between creating both functional and sculptural pieces for the home, resulting in resilient everyday pieces without compromising on aesthetic. Sharon is particularly interested in glazes and texture and is constantly experimenting with creating her own glaze recipes.

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Ceramic Vessel
Theodosius Ng
$145.00
Ceramic vessel handmade by Theodosius Ng
Ceramic vessel handmade by Theodosius Ng
Ceramic vessel handmade by Theodosius Ng
Ceramic vessel handmade by Theodosius Ng
Ceramic vessel handmade by Theodosius Ng
Ceramic vessel handmade by Theodosius Ng
Ceramic vessel handmade by Theodosius Ng
Ceramic vessel handmade by Theodosius Ng
Ceramic vessel handmade by Theodosius Ng
Ceramic vessel handmade by Theodosius Ng
Ceramic vessel handmade by Theodosius Ng
Ceramic vessel handmade by Theodosius Ng
Theodosius Ng

Ceramic Vessel

$145.00
/
Tax included.

 

OBJECT TYPE:
Vessel
MATERIALS:
Clay, glaze
DIMENSIONS:
115mm x 110mm
ORIGIN:
Melbourne - Naarm

Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. Suitable for holding water, not food safe.

Theodosius Ng 黄振康 (they/he/she) is a queer Chinese ceramic artist based in Naarm (Melbourne). Their practice employs wheel throwing, hand building and experimental glazing techniques. They are passionate about cross-disciplinary practices and tactility in materiality.

Inspired by their queerness, chronic illness and immigrant experience, Ng is curious about exploring the extraneous within the familiar through cultural, ritual, and spiritual concepts - revealing an inherent need to find pattern, beauty and ritual. Their works aim to co-create and collaborate with nature and humankind.

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Theodosius Ng

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Ceramic Sculpture
Melinda Wallis
$650.00
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
Melinda Wallis

Ceramic Sculpture

$650.00
/
Tax included.
OBJECT TYPE:
Vessel
MATERIALS:
Clay
DIMENSIONS:
150mm diameter x 350mm
ORIGIN:
 Dandenong Ranges - Corhanwarrabul 


From her small studio in the Dandenong Ranges, MELINDA WALLIS strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece... that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda the individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda, the work is a bonus.

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Ceramic Sculpture
Melinda Wallis
$510.00
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
Melinda Wallis

Ceramic Sculpture

$510.00
/
Tax included.
OBJECT TYPE:
Vessel
MATERIALS:
Clay
DIMENSIONS:
160mm diameter x 230mm
ORIGIN:
 Dandenong Ranges - Corhanwarrabul 


From her small studio in the Dandenong Ranges, MELINDA WALLIS strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece... that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda the individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda, the work is a bonus.

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Ceramic Sculpture
Melinda Wallis
$510.00
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
Melinda Wallis

Ceramic Sculpture

$510.00
/
Tax included.
OBJECT TYPE:
Vessel
MATERIALS:
Clay
DIMENSIONS:
210mm diameter x 200mm
ORIGIN:
 Dandenong Ranges - Corhanwarrabul 


From her small studio in the Dandenong Ranges, MELINDA WALLIS strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece... that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda the individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda, the work is a bonus.

VIEW ALL WORKS FROM THIS ARTIST

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