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OBJECT TYPE: Candle Holder |
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MATERIALS: Clay, Glaze |
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DIMENSIONS: 160mm x 70mm diameter |
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ORIGIN: Naarm - Melbourne |
Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour.
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
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OBJECT TYPE: Candle Holder |
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MATERIALS: Clay, Glaze |
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DIMENSIONS: 150mm x 60mm diameter |
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ORIGIN: Naarm- Melbourne |
Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour.
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
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OBJECT TYPE: Candle Holder |
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MATERIALS: Clay, Glaze |
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DIMENSIONS: 120mm x 95mm diameter |
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ORIGIN: Naarm- Melbourne |
Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour.
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
VIEW ALL WORKS FROM THIS ARTIST
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OBJECT TYPE: Candle Holder |
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MATERIALS: Clay, Glaze |
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DIMENSIONS: 190mm x 60mm diameter |
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ORIGIN: Naarm - Melbourne |
Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour.
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
VIEW ALL WORKS FROM THIS ARTIST
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OBJECT TYPE: Candle Holder |
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MATERIALS: Clay, Glaze |
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DIMENSIONS: 210mm x 70mm x 60mm |
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ORIGIN: Naarm- Melbourne |
Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour.
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
VIEW ALL WORKS FROM THIS ARTIST
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OBJECT TYPE: Vase |
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MATERIALS: Clay, Glaze |
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DIMENSIONS: 150mm diameter x 290mm |
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ORIGIN: Naarm- Melbourne |
Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. Suitable for holding water
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
VIEW ALL WORKS FROM THIS ARTIST
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OBJECT TYPE: Vase |
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MATERIALS: Clay, Glaze |
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DIMENSIONS: 150mm diameter x 340mm |
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ORIGIN: Naarm - Melbourne |
Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. Suitable for holding water
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
VIEW ALL WORKS FROM THIS ARTIST
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OBJECT TYPE: Vase |
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MATERIALS: Clay, Glaze |
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DIMENSIONS: 160mm diameter x 300mm |
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ORIGIN: Naarm - Melbourne |
Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. Suitable for holding water
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
VIEW ALL WORKS FROM THIS ARTIST
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OBJECT TYPE: Vase |
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MATERIALS: Clay, Glaze |
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DIMENSIONS: 135mm diameter x 335mm |
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ORIGIN: Naarm - Melbourne |
Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. Suitable for holding water
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
VIEW ALL WORKS FROM THIS ARTIST
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OBJECT TYPE: Vase |
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MATERIALS: Clay, Glaze |
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DIMENSIONS: 170mm diameter x 220mm |
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ORIGIN: Naarm - Melbourne |
Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. Suitable for holding water
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
VIEW ALL WORKS FROM THIS ARTIST
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OBJECT TYPE: Vase |
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MATERIALS: Clay, Glaze |
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DIMENSIONS: 140mm diameter x 310mm |
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ORIGIN: Naarm - Melbourne |
Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. Suitable for holding water
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
VIEW ALL WORKS FROM THIS ARTIST
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OBJECT TYPE: Vase |
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MATERIALS: Clay, Glaze |
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DIMENSIONS: 200mm x 160mm x 160mm |
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ORIGIN: Naarm- Melbourne |
Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. Suitable for holding water
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
VIEW ALL WORKS FROM THIS ARTIST
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OBJECT TYPE: Vase |
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MATERIALS: Clay, Glaze |
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DIMENSIONS: 200mm x 200mm x 170mm |
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ORIGIN: Naarm- Melbourne |
Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. Suitable for holding water
DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.
VIEW ALL WORKS FROM THIS ARTIST
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OBJECT TYPE: Sculpture |
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MATERIALS: Porcelain, Slip, Oxides |
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DIMENSIONS: 170 x 140 x 80mm |
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ORIGIN: Naarm - Melbourne |
TATTS’ interest in new materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces.
Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile, Tatts considers their relationship and action with other objects and the surrounding environment. In late childhood Tatts was diagnosed with apophenia, a condition where the brain has the inclination to perceive patterns and connection in everyday object. Tatts has continued to develop not only technique but the action of evoking story and kinship between medium, artist and viewer.
VIEW ALL WORKS FROM THIS ARTIST
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OBJECT TYPE: Sculpture |
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MATERIALS: Porcelain, Slip, Oxides |
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DIMENSIONS: 330 x 180 x 150mm |
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ORIGIN: Naarm - Melbourne |
TATTS’ interest in new materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces.
Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile, Tatts considers their relationship and action with other objects and the surrounding environment. In late childhood Tatts was diagnosed with apophenia, a condition where the brain has the inclination to perceive patterns and connection in everyday object. Tatts has continued to develop not only technique but the action of evoking story and kinship between medium, artist and viewer.
VIEW ALL WORKS FROM THIS ARTIST
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OBJECT TYPE: Sculpture |
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MATERIALS: Porcelain, Slip, |
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DIMENSIONS: 90 x 75 x 160mm |
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ORIGIN: Naarm - Melbourne |
TATTS’ interest in new materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces.
Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile, Tatts considers their relationship and action with other objects and the surrounding environment. In late childhood Tatts was diagnosed with apophenia, a condition where the brain has the inclination to perceive patterns and connection in everyday object. Tatts has continued to develop not only technique but the action of evoking story and kinship between medium, artist and viewer.
VIEW ALL WORKS FROM THIS ARTIST
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OBJECT TYPE: Sculpture |
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MATERIALS: Porcelain, Slip, |
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DIMENSIONS: 240 x 100 x 80mm |
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ORIGIN: Naarm - Melbourne |
TATTS’ interest in new materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces.
Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile, Tatts considers their relationship and action with other objects and the surrounding environment. In late childhood Tatts was diagnosed with apophenia, a condition where the brain has the inclination to perceive patterns and connection in everyday object. Tatts has continued to develop not only technique but the action of evoking story and kinship between medium, artist and viewer.
VIEW ALL WORKS FROM THIS ARTIST
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OBJECT TYPE: Sculpture |
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MATERIALS: Porcelain, Slip, Oxides |
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DIMENSIONS: 210 x 100 x 80mm |
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ORIGIN: Naarm - Melbourne |
Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour.
TATTS’ interest in new materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces.
Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile, Tatts considers their relationship and action with other objects and the surrounding environment. In late childhood Tatts was diagnosed with apophenia, a condition where the brain has the inclination to perceive patterns and connection in everyday object. Tatts has continued to develop not only technique but the action of evoking story and kinship between medium, artist and viewer.
VIEW ALL WORKS FROM THIS ARTIST
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OBJECT TYPE: Sculpture |
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MATERIALS: Porcelain, Slip, Oxides |
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DIMENSIONS: 150 x 120 x 90mm |
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ORIGIN: Naarm - Melbourne |
TATTS’ interest in new materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces.
Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile, Tatts considers their relationship and action with other objects and the surrounding environment. In late childhood Tatts was diagnosed with apophenia, a condition where the brain has the inclination to perceive patterns and connection in everyday object. Tatts has continued to develop not only technique but the action of evoking story and kinship between medium, artist and viewer.
VIEW ALL WORKS FROM THIS ARTIST
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OBJECT TYPE: Sculpture |
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MATERIALS: Porcelain, Slip, Oxides |
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DIMENSIONS: 240 x 180 x 150mm |
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ORIGIN: Naarm - Melbourne |
TATTS’ interest in new materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces.
Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile, Tatts considers their relationship and action with other objects and the surrounding environment. In late childhood Tatts was diagnosed with apophenia, a condition where the brain has the inclination to perceive patterns and connection in everyday object. Tatts has continued to develop not only technique but the action of evoking story and kinship between medium, artist and viewer.
VIEW ALL WORKS FROM THIS ARTIST
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OBJECT TYPE: Sculpture |
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MATERIALS: Porcelain, Slip, Oxides |
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DIMENSIONS: 190mm x 100 x 70mm |
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ORIGIN: Naarm - Melbourne |
TATTS’ interest in new materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces.
Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile, Tatts considers their relationship and action with other objects and the surrounding environment. In late childhood Tatts was diagnosed with apophenia, a condition where the brain has the inclination to perceive patterns and connection in everyday object. Tatts has continued to develop not only technique but the action of evoking story and kinship between medium, artist and viewer.
VIEW ALL WORKS FROM THIS ARTIST
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OBJECT TYPE: Vessel |
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MATERIALS: Clay, Glaze |
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DIMENSIONS: 290mm diameter x 350mm |
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ORIGIN: Sydney - Gadi |
Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. Suitable for holding water.
EMILY ELLIS is a Sydney based object designer and ceramicist. Her work explores our relationship to everyday objects through both surface and shape and how we integrate these into our daily rituals. Her vessels are all hand built, carved back and sculptured allowing the clay to reveal its form.
VIEW ALL WORKS FROM THIS ARTIST
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OBJECT TYPE: Vessel |
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MATERIALS: Clay |
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DIMENSIONS: 190mm diameter x 280mm |
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ORIGIN: Sydney - Gadi |
EMILY ELLIS is a Sydney based object designer and ceramicist. Her work explores our relationship to everyday objects through both surface and shape and how we integrate these into our daily rituals. Her vessels are all hand built, carved back and sculptured allowing the clay to reveal its form.
VIEW ALL WORKS FROM THIS ARTIST
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OBJECT TYPE: Vessel |
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MATERIALS: Clay |
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DIMENSIONS: 170mm diameter x 300mm |
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ORIGIN: Sydney - Gadi |
EMILY ELLIS is a Sydney based object designer and ceramicist. Her work explores our relationship to everyday objects through both surface and shape and how we integrate these into our daily rituals. Her vessels are all hand built, carved back and sculptured allowing the clay to reveal its form.
VIEW ALL WORKS FROM THIS ARTIST