Ceramics

From her small studio in the Dandenong Ranges, MELINDA WALLIS strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece... that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda the individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda, the work is a bonus.

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From her small studio in the Dandenong Ranges, MELINDA WALLIS strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece... that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda the individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda, the work is a bonus.

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PAULINE MEADE has been using clay as her chosen medium since completing a Diploma of Ceramics in 2007, continuing to extend her practice at School of Clay and Art ( SOCA).

Pauline has been exhibiting her work in Melbourne and was a finalist in Clune's Ceramic Award where she won a judges' recognition and the People's Choice award.
Pauline predominantly hand builds, as well as using the wheel to enhance her pieces, emphasising texture and layering of glazes. It's the dry sclerophyll bush, wild wattle and ironbark forests that continue to inform her work, the landscape from her childhood.

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PAULINE MEADE has been using clay as her chosen medium since completing a Diploma of Ceramics in 2007, continuing to extend her practice at School of Clay and Art ( SOCA).

Pauline has been exhibiting her work in Melbourne and was a finalist in Clune's Ceramic Award where she won a judges' recognition and the People's Choice award.
Pauline predominantly hand builds, as well as using the wheel to enhance her pieces, emphasising texture and layering of glazes. It's the dry sclerophyll bush, wild wattle and ironbark forests that continue to inform her work, the landscape from her childhood.

VIEW ALL WORKS FROM THIS ARTIST

PAULINE MEADE has been using clay as her chosen medium since completing a Diploma of Ceramics in 2007, continuing to extend her practice at School of Clay and Art ( SOCA).

Pauline has been exhibiting her work in Melbourne and was a finalist in Clune's Ceramic Award where she won a judges' recognition and the People's Choice award.
Pauline predominantly hand builds, as well as using the wheel to enhance her pieces, emphasising texture and layering of glazes. It's the dry sclerophyll bush, wild wattle and ironbark forests that continue to inform her work, the landscape from her childhood.

VIEW ALL WORKS FROM THIS ARTIST

PAULINE MEADE has been using clay as her chosen medium since completing a Diploma of Ceramics in 2007, continuing to extend her practice at School of Clay and Art ( SOCA).

Pauline has been exhibiting her work in Melbourne and was a finalist in Clune's Ceramic Award where she won a judges' recognition and the People's Choice award.
Pauline predominantly hand builds, as well as using the wheel to enhance her pieces, emphasising texture and layering of glazes. It's the dry sclerophyll bush, wild wattle and ironbark forests that continue to inform her work, the landscape from her childhood.

VIEW ALL WORKS FROM THIS ARTIST

PAULINE MEADE has been using clay as her chosen medium since completing a Diploma of Ceramics in 2007, continuing to extend her practice at School of Clay and Art ( SOCA).

Pauline has been exhibiting her work in Melbourne and was a finalist in Clune's Ceramic Award where she won a judges' recognition and the People's Choice award.
Pauline predominantly hand builds, as well as using the wheel to enhance her pieces, emphasising texture and layering of glazes. It's the dry sclerophyll bush, wild wattle and ironbark forests that continue to inform her work, the landscape from her childhood.

VIEW ALL WORKS FROM THIS ARTIST

PAULINE MEADE has been using clay as her chosen medium since completing a Diploma of Ceramics in 2007, continuing to extend her practice at School of Clay and Art ( SOCA).

Pauline has been exhibiting her work in Melbourne and was a finalist in Clune's Ceramic Award where she won a judges' recognition and the People's Choice award.
Pauline predominantly hand builds, as well as using the wheel to enhance her pieces, emphasising texture and layering of glazes. It's the dry sclerophyll bush, wild wattle and ironbark forests that continue to inform her work, the landscape from her childhood.

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VIEW ALL WORKS FROM THIS ARTIST 

VIEW ALL WORKS FROM THIS ARTIST 

VIEW ALL WORKS FROM THIS ARTIST 

RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture. In 2018 Rina completed a traditional throwing course in Kyoto with a master ceramicist and in 2020 was asked to set up the 3D digital ceramic studio at Kyushu University in Fukuoka. Working within the Architecture and Design Faculty she ran workshops with students and with local craftsmen and ceramic studios. 

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RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture. In 2018 Rina completed a traditional throwing course in Kyoto with a master ceramicist and in 2020 was asked to set up the 3D digital ceramic studio at Kyushu University in Fukuoka. Working within the Architecture and Design Faculty she ran workshops with students and with local craftsmen and ceramic studios. 

VIEW ALL WORKS FROM THIS ARTIST

RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture. In 2018 Rina completed a traditional throwing course in Kyoto with a master ceramicist and in 2020 was asked to set up the 3D digital ceramic studio at Kyushu University in Fukuoka. Working within the Architecture and Design Faculty she ran workshops with students and with local craftsmen and ceramic studios. 

VIEW ALL WORKS FROM THIS ARTIST

RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture. In 2018 Rina completed a traditional throwing course in Kyoto with a master ceramicist and in 2020 was asked to set up the 3D digital ceramic studio at Kyushu University in Fukuoka. Working within the Architecture and Design Faculty she ran workshops with students and with local craftsmen and ceramic studios. 

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LAURA VELEFF has been making ceramic work for her label LEAF AND THREAD for the past 9 years. Laura works predominantly on the wheel and creates pieces that are imbued with her deep respect and love for natural materials.

Since moving from Melbourne to the Central Victorian Goldfields, Laura's more recent work tells the story of the complex narrative and history of her new surroundings, often incorporating materials she gathers from the environment.

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LAURA VELEFF has been making ceramic work for her label LEAF AND THREAD for the past 9 years. Laura works predominantly on the wheel and creates pieces that are imbued with her deep respect and love for natural materials.

Since moving from Melbourne to the Central Victorian Goldfields, Laura's more recent work tells the story of the complex narrative and history of her new surroundings, often incorporating materials she gathers from the environment.

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MALI TAYLOR is a Melbourne based ceramic artist currently exploring the parameters of coil methodology within her practice. Born in the Northern Rivers of NSW, Mali spent her childhood immersed in the beauties of the Australian landscape, which has undoubtedly influenced her practice.

Mali completed a Bachelor of Fine Arts specialising in object based practice and has since won and been a finalist in multiple awards.

Through the methodical and meditative layering of earthy clay, Mali’s hand-built sculptures hold time, invoking memories of archaic Australian landscapes. 

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MALI TAYLOR is a Melbourne based ceramic artist currently exploring the parameters of coil methodology within her practice. Born in the Northern Rivers of NSW, Mali spent her childhood immersed in the beauties of the Australian landscape, which has undoubtedly influenced her practice.

Mali completed a Bachelor of Fine Arts specialising in object based practice and has since won and been a finalist in multiple awards.

Through the methodical and meditative layering of earthy clay, Mali’s hand-built sculptures hold time, invoking memories of archaic Australian landscapes. 

VIEW ALL WORKS FROM THIS ARTIST

MALI TAYLOR is a Melbourne based ceramic artist currently exploring the parameters of coil methodology within her practice. Born in the Northern Rivers of NSW, Mali spent her childhood immersed in the beauties of the Australian landscape, which has undoubtedly influenced her practice.

Mali completed a Bachelor of Fine Arts specialising in object based practice and has since won and been a finalist in multiple awards.

Through the methodical and meditative layering of earthy clay, Mali’s hand-built sculptures hold time, invoking memories of archaic Australian landscapes. 

VIEW ALL WORKS FROM THIS ARTIST

MALI TAYLOR is a Melbourne based ceramic artist currently exploring the parameters of coil methodology within her practice. Born in the Northern Rivers of NSW, Mali spent her childhood immersed in the beauties of the Australian landscape, which has undoubtedly influenced her practice.

Mali completed a Bachelor of Fine Arts specialising in object based practice and has since won and been a finalist in multiple awards.

Through the methodical and meditative layering of earthy clay, Mali’s hand-built sculptures hold time, invoking memories of archaic Australian landscapes. 

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EMILY ELLIS is a Sydney based object designer and ceramicist. Her work explores our relationship to everyday objects through both surface and shape and how we integrate these into our daily rituals. Her vessels are all hand built, carved back and sculptured allowing the clay to reveal its form.

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EMILY ELLIS is a Sydney based object designer and ceramicist. Her work explores our relationship to everyday objects through both surface and shape and how we integrate these into our daily rituals. Her vessels are all hand built, carved back and sculptured allowing the clay to reveal its form.

VIEW ALL WORKS FROM THIS ARTIST