Ceramics

RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture. In 2018 Rina completed a traditional throwing course in Kyoto with a master ceramicist and in 2020 was asked to set up the 3D digital ceramic studio at Kyushu University in Fukuoka. Working within the Architecture and Design Faculty she ran workshops with students and with local craftsmen and ceramic studios. 

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RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture. In 2018 Rina completed a traditional throwing course in Kyoto with a master ceramicist and in 2020 was asked to set up the 3D digital ceramic studio at Kyushu University in Fukuoka. Working within the Architecture and Design Faculty she ran workshops with students and with local craftsmen and ceramic studios. 

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RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture. In 2018 Rina completed a traditional throwing course in Kyoto with a master ceramicist and in 2020 was asked to set up the 3D digital ceramic studio at Kyushu University in Fukuoka. Working within the Architecture and Design Faculty she ran workshops with students and with local craftsmen and ceramic studios. 

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RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture. In 2018 Rina completed a traditional throwing course in Kyoto with a master ceramicist and in 2020 was asked to set up the 3D digital ceramic studio at Kyushu University in Fukuoka. Working within the Architecture and Design Faculty she ran workshops with students and with local craftsmen and ceramic studios. 

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SHARON ALPREN is a Melbourne based ceramic artist working out of her home studio in the Macedon Ranges. Sharon took up ceramics 15 years ago after relocating to Australia from her native UK where she had a background in Textiles.

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ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

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ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

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ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

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EMILY ELLIS is a Sydney based object designer and ceramicist. Her work explores our relationship to everyday objects through both surface and shape and how we integrate these into our daily rituals. Her vessels are all hand built, carved back and sculptured allowing the clay to reveal its form.

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EMILY ELLIS is a Sydney based object designer and ceramicist. Her work explores our relationship to everyday objects through both surface and shape and how we integrate these into our daily rituals. Her vessels are all hand built, carved back and sculptured allowing the clay to reveal its form.

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EMILY ELLIS is a Sydney based object designer and ceramicist. Her work explores our relationship to everyday objects through both surface and shape and how we integrate these into our daily rituals. Her vessels are all hand built, carved back and sculptured allowing the clay to reveal its form.

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EMILY ELLIS is a Sydney based object designer and ceramicist. Her work explores our relationship to everyday objects through both surface and shape and how we integrate these into our daily rituals. Her vessels are all hand built, carved back and sculptured allowing the clay to reveal its form.

VIEW ALL WORKS FROM THIS ARTIST

EMILY ELLIS is a Sydney based object designer and ceramicist. Her work explores our relationship to everyday objects through both surface and shape and how we integrate these into our daily rituals. Her vessels are all hand built, carved back and sculptured allowing the clay to reveal its form.

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EMILY ELLIS is a Sydney based object designer and ceramicist. Her work explores our relationship to everyday objects through both surface and shape and how we integrate these into our daily rituals. Her vessels are all hand built, carved back and sculptured allowing the clay to reveal its form.

VIEW ALL WORKS FROM THIS ARTIST

EMILY ELLIS is a Sydney based object designer and ceramicist. Her work explores our relationship to everyday objects through both surface and shape and how we integrate these into our daily rituals. Her vessels are all hand built, carved back and sculptured allowing the clay to reveal its form.

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STEPHANIE PHILLIPS is a ceramic artist from Sydney, Australia. She draws strong influence in her artistic direction from both of her grandmothers. Her paternal grandmother was a Russian immigrant who was a talented artist and craftswoman, while her maternal grandmother was involved in the establishment of The Crommelin Native Arboretum at Pearl Beach, NSW, where Stephanie has spent many weekends and holidays since childhood.

At a young age, she developed an affinity with the Australian bush and the influence of the forms and colours of native flora are evident in her work. Drawing on her love of plants, she creates curved vessels to house modern Ikebana. Using a combination of clays, glazes and oxides she creates her own colours and textures.

Stephanie studied glass arts at Sydney College of the Arts, mosaics at Randwick Tafe and fabric design and printing at East Sydney Tech before finding her true calling in ceramics. She has studied at ceramics at Gymea Tafe and at Hazelhurst in Sydney.

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STEPHANIE PHILLIPS is a ceramic artist from Sydney, Australia. She draws strong influence in her artistic direction from both of her grandmothers. Her paternal grandmother was a Russian immigrant who was a talented artist and craftswoman, while her maternal grandmother was involved in the establishment of The Crommelin Native Arboretum at Pearl Beach, NSW, where Stephanie has spent many weekends and holidays since childhood.

At a young age, she developed an affinity with the Australian bush and the influence of the forms and colours of native flora are evident in her work. Drawing on her love of plants, she creates curved vessels to house modern Ikebana. Using a combination of clays, glazes and oxides she creates her own colours and textures.

Stephanie studied glass arts at Sydney College of the Arts, mosaics at Randwick Tafe and fabric design and printing at East Sydney Tech before finding her true calling in ceramics. She has studied at ceramics at Gymea Tafe and at Hazelhurst in Sydney.

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STEPHANIE PHILLIPS is a ceramic artist from Sydney, Australia. She draws strong influence in her artistic direction from both of her grandmothers. Her paternal grandmother was a Russian immigrant who was a talented artist and craftswoman, while her maternal grandmother was involved in the establishment of The Crommelin Native Arboretum at Pearl Beach, NSW, where Stephanie has spent many weekends and holidays since childhood.

At a young age, she developed an affinity with the Australian bush and the influence of the forms and colours of native flora are evident in her work. Drawing on her love of plants, she creates curved vessels to house modern Ikebana. Using a combination of clays, glazes and oxides she creates her own colours and textures.

Stephanie studied glass arts at Sydney College of the Arts, mosaics at Randwick Tafe and fabric design and printing at East Sydney Tech before finding her true calling in ceramics. She has studied at ceramics at Gymea Tafe and at Hazelhurst in Sydney.

VIEW ALL WORKS FROM THIS ARTIST

STEPHANIE PHILLIPS is a ceramic artist from Sydney, Australia. She draws strong influence in her artistic direction from both of her grandmothers. Her paternal grandmother was a Russian immigrant who was a talented artist and craftswoman, while her maternal grandmother was involved in the establishment of The Crommelin Native Arboretum at Pearl Beach, NSW, where Stephanie has spent many weekends and holidays since childhood.

At a young age, she developed an affinity with the Australian bush and the influence of the forms and colours of native flora are evident in her work. Drawing on her love of plants, she creates curved vessels to house modern Ikebana. Using a combination of clays, glazes and oxides she creates her own colours and textures.

Stephanie studied glass arts at Sydney College of the Arts, mosaics at Randwick Tafe and fabric design and printing at East Sydney Tech before finding her true calling in ceramics. She has studied at ceramics at Gymea Tafe and at Hazelhurst in Sydney.

VIEW ALL WORKS FROM THIS ARTIST

STEPHANIE PHILLIPS is a ceramic artist from Sydney, Australia. She draws strong influence in her artistic direction from both of her grandmothers. Her paternal grandmother was a Russian immigrant who was a talented artist and craftswoman, while her maternal grandmother was involved in the establishment of The Crommelin Native Arboretum at Pearl Beach, NSW, where Stephanie has spent many weekends and holidays since childhood.

At a young age, she developed an affinity with the Australian bush and the influence of the forms and colours of native flora are evident in her work. Drawing on her love of plants, she creates curved vessels to house modern Ikebana. Using a combination of clays, glazes and oxides she creates her own colours and textures.

Stephanie studied glass arts at Sydney College of the Arts, mosaics at Randwick Tafe and fabric design and printing at East Sydney Tech before finding her true calling in ceramics. She has studied at ceramics at Gymea Tafe and at Hazelhurst in Sydney.

VIEW ALL WORKS FROM THIS ARTIST

STEPHANIE PHILLIPS is a ceramic artist from Sydney, Australia. She draws strong influence in her artistic direction from both of her grandmothers. Her paternal grandmother was a Russian immigrant who was a talented artist and craftswoman, while her maternal grandmother was involved in the establishment of The Crommelin Native Arboretum at Pearl Beach, NSW, where Stephanie has spent many weekends and holidays since childhood.

At a young age, she developed an affinity with the Australian bush and the influence of the forms and colours of native flora are evident in her work. Drawing on her love of plants, she creates curved vessels to house modern Ikebana. Using a combination of clays, glazes and oxides she creates her own colours and textures.

Stephanie studied glass arts at Sydney College of the Arts, mosaics at Randwick Tafe and fabric design and printing at East Sydney Tech before finding her true calling in ceramics. She has studied at ceramics at Gymea Tafe and at Hazelhurst in Sydney.

VIEW ALL WORKS FROM THIS ARTIST

STEPHANIE PHILLIPS is a ceramic artist from Sydney, Australia. She draws strong influence in her artistic direction from both of her grandmothers. Her paternal grandmother was a Russian immigrant who was a talented artist and craftswoman, while her maternal grandmother was involved in the establishment of The Crommelin Native Arboretum at Pearl Beach, NSW, where Stephanie has spent many weekends and holidays since childhood.

At a young age, she developed an affinity with the Australian bush and the influence of the forms and colours of native flora are evident in her work. Drawing on her love of plants, she creates curved vessels to house modern Ikebana. Using a combination of clays, glazes and oxides she creates her own colours and textures.

Stephanie studied glass arts at Sydney College of the Arts, mosaics at Randwick Tafe and fabric design and printing at East Sydney Tech before finding her true calling in ceramics. She has studied at ceramics at Gymea Tafe and at Hazelhurst in Sydney.

VIEW ALL WORKS FROM THIS ARTIST

STEPHANIE PHILLIPS is a ceramic artist from Sydney, Australia. She draws strong influence in her artistic direction from both of her grandmothers. Her paternal grandmother was a Russian immigrant who was a talented artist and craftswoman, while her maternal grandmother was involved in the establishment of The Crommelin Native Arboretum at Pearl Beach, NSW, where Stephanie has spent many weekends and holidays since childhood.

At a young age, she developed an affinity with the Australian bush and the influence of the forms and colours of native flora are evident in her work. Drawing on her love of plants, she creates curved vessels to house modern Ikebana. Using a combination of clays, glazes and oxides she creates her own colours and textures.

Stephanie studied glass arts at Sydney College of the Arts, mosaics at Randwick Tafe and fabric design and printing at East Sydney Tech before finding her true calling in ceramics. She has studied at ceramics at Gymea Tafe and at Hazelhurst in Sydney.

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DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.

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