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EB. CERAMICS is the Mornington Peninsula based ceramic practice of Eb Vick. Her surroundings of coastline and bushland greatly influence her work where she often uses found earth materials, wood ash, oxides and slips to create custom glazes on high fired stoneware.

eb’s making technique is inspired by truths and stories, deliberately showing her maker’s mark to embrace simple and organic imperfections of materiality.

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STEPHANIE PHILLIPS is a ceramic artist from Sydney, Australia. She draws strong influence in her artistic direction from both of her grandmothers. Her paternal grandmother was a Russian immigrant who was a talented artist and craftswoman, while her maternal grandmother was involved in the establishment of The Crommelin Native Arboretum at Pearl Beach, NSW, where Stephanie has spent many weekends and holidays since childhood.

At a young age, she developed an affinity with the Australian bush and the influence of the forms and colours of native flora are evident in her work. Drawing on her love of plants, she creates curved vessels to house modern Ikebana. Using a combination of clays, glazes and oxides she creates her own colours and textures.

Stephanie studied glass arts at Sydney College of the Arts, mosaics at Randwick Tafe and fabric design and printing at East Sydney Tech before finding her true calling in ceramics. She has studied at ceramics at Gymea Tafe and at Hazelhurst in Sydney.

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EMILY ELLIS is a Sydney based object designer and ceramicist. Her work explores our relationship to everyday objects through both surface and shape and how we integrate these into our daily rituals. Her vessels are all hand built, carved back and sculptured allowing the clay to reveal its form.

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MALI TAYLOR is a Melbourne based ceramic artist currently exploring the parameters of coil methodology within her practice. Born in the Northern Rivers of NSW, Mali spent her childhood immersed in the beauties of the Australian landscape, which has undoubtedly influenced her practice.

Mali completed a Bachelor of Fine Arts specialising in object based practice and has since won and been a finalist in multiple awards.

Through the methodical and meditative layering of earthy clay, Mali’s hand-built sculptures hold time, invoking memories of archaic Australian landscapes. 

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IGGY & LOU LOU is a Melbourne-based ceramic practice by artist Irene Grishin Selzer. After graduating with a Masters of Fine Arts in ceramics and receiving multiple awards for ceramic excellence, artist Irene Grishin-Selzer has continued her art practice alongside establishing a bespoke design practice under the name Iggy & Lou Lou.

"Texture is everything and working with clay provides endless textural possibilities. It has got that magic ability to appear both raw and refined at the same time" says Irene.

Irene’s practice is informed by a deep respect for traditional making processes, a commitment to a minimal environmental footprint, and a devotion to creating handmade, beloved ceramics that last a lifetime.

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IRENE GRISHIN-SELZER has a Masters degree in Fine Arts (Ceramics) from Monash University in Melbourne graduating with Clayworks Australia prizes for ceramic excellence. Her practice engages with the notion of transience in nature - the shape of time and the sense of place.

Her work has been curated into numerous group exhibitions within Australia and North America along with solo shows in Melbourne. Mixing soil from her studio locations with clay, porcelain pigments, and glazes, her highly textured work becomes a literal and powerful reminder of the interconnectedness of nature where all things both animate and inanimate, past and present are intrinsically linked.

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IRENE GRISHIN-SELZER has a Masters degree in Fine Arts (Ceramics) from Monash University in Melbourne graduating with Clayworks Australia prizes for ceramic excellence. Her practice engages with the notion of transience in nature - the shape of time and the sense of place.

Her work has been curated into numerous group exhibitions within Australia and North America along with solo shows in Melbourne. Mixing soil from her studio locations with clay, porcelain pigments, and glazes, her highly textured work becomes a literal and powerful reminder of the interconnectedness of nature where all things both animate and inanimate, past and present are intrinsically linked.

VIEW ALL WORKS FROM THIS ARTIST

IRENE GRISHIN-SELZER has a Masters degree in Fine Arts (Ceramics) from Monash University in Melbourne graduating with Clayworks Australia prizes for ceramic excellence. Her practice engages with the notion of transience in nature - the shape of time and the sense of place.

Her work has been curated into numerous group exhibitions within Australia and North America along with solo shows in Melbourne. Mixing soil from her studio locations with clay, porcelain pigments, and glazes, her highly textured work becomes a literal and powerful reminder of the interconnectedness of nature where all things both animate and inanimate, past and present are intrinsically linked.

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ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

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HOME BY HARLEQUIN is the Sydney based practice of Lauren Eaton. With no formal training, Lauren spent years developing a new set of skills from casting to working with stones, silicone and resin, teaching herself techniques to create objects that are fresh and refined while staying true to her philosophy of functionality.

The result is a playful collection of pieces for the home with a simplicity that belies the difficulties encountered in using such unexpected materials.

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KIRA EDWARDS is a contemporary jeweller, utilising traditional techniques to make organic sculptural pieces. Her work is an ode to the making process, embracing the imperfections and beauty that arise along the way. Exploring texture, sculpture and mixed metals, her work aims to capture a natural ease.

Wearability is at the heart of her work. With conscious consumerism in mind, her work is made to be worn often and travel through life with the wearer, with the hope the pieces will be passed down generations.

Kira’s practice focuses on sustainability, using recycled materials where possible and making small quantities. Her work is made with love and consideration from her home studio in Naarm / Melbourne alongside her tiny bossy dog Pepper.

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ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

VIEW ALL WORKS FROM THIS ARTIST

KIRA EDWARDS is a contemporary jeweller, utilising traditional techniques to make organic sculptural pieces. Her work is an ode to the making process, embracing the imperfections and beauty that arise along the way. Exploring texture, sculpture and mixed metals, her work aims to capture a natural ease.

Wearability is at the heart of her work. With conscious consumerism in mind, her work is made to be worn often and travel through life with the wearer, with the hope the pieces will be passed down generations.

Kira’s practice focuses on sustainability, using recycled materials where possible and making small quantities. Her work is made with love and consideration from her home studio in Naarm / Melbourne alongside her tiny bossy dog Pepper.

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JEAN YOSHIKO is a designer and jeweller working from her home studio in Sydney. Influenced by 70s & 80s costume jewellery, modernist design and Japanese design, Jean uses mostly wax to create sculptural, one-of-a-kind pieces allowing her to have an emotional connection to each piece and wearer.

Her aim is to use sustainable materials wherever possible such as recycled metals and ethically sourced stones.

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JENNIFER OH was born in the Philippines, grew up in Australia, lived in London and Rome and has recently moved back to Sydney.

Her ceramic work is informed by the multiplicity of her travels. They are in many ways investigations into form and function and how our everyday objects can transform into talismans for modern life. Her work is rooted in the traditional aspects of the craft in technique and construction; although she finds that it's the interaction between human and object that cultivates meaning and it's this personal reaction to objects that is the core interest of her work.

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JENNIFER OH was born in the Philippines, grew up in Australia, lived in London and Rome and has recently moved back to Sydney.

Her ceramic work is informed by the multiplicity of her travels. They are in many ways investigations into form and function and how our everyday objects can transform into talismans for modern life. Her work is rooted in the traditional aspects of the craft in technique and construction; although she finds that it's the interaction between human and object that cultivates meaning and it's this personal reaction to objects that is the core interest of her work.

VIEW ALL WORKS FROM THIS ARTIST

JENNIFER OH was born in the Philippines, grew up in Australia, lived in London and Rome and has recently moved back to Sydney.

Her ceramic work is informed by the multiplicity of her travels. They are in many ways investigations into form and function and how our everyday objects can transform into talismans for modern life. Her work is rooted in the traditional aspects of the craft in technique and construction; although she finds that it's the interaction between human and object that cultivates meaning and it's this personal reaction to objects that is the core interest of her work.

VIEW ALL WORKS FROM THIS ARTIST

JENNIFER OH was born in the Philippines, grew up in Australia, lived in London and Rome and has recently moved back to Sydney.

Her ceramic work is informed by the multiplicity of her travels. They are in many ways investigations into form and function and how our everyday objects can transform into talismans for modern life. Her work is rooted in the traditional aspects of the craft in technique and construction; although she finds that it's the interaction between human and object that cultivates meaning and it's this personal reaction to objects that is the core interest of her work.

VIEW ALL WORKS FROM THIS ARTIST

JENNIFER OH was born in the Philippines, grew up in Australia, lived in London and Rome and has recently moved back to Sydney.

Her ceramic work is informed by the multiplicity of her travels. They are in many ways investigations into form and function and how our everyday objects can transform into talismans for modern life. Her work is rooted in the traditional aspects of the craft in technique and construction; although she finds that it's the interaction between human and object that cultivates meaning and it's this personal reaction to objects that is the core interest of her work.

VIEW ALL WORKS FROM THIS ARTIST

JENNIFER OH was born in the Philippines, grew up in Australia, lived in London and Rome and has recently moved back to Sydney.

Her ceramic work is informed by the multiplicity of her travels. They are in many ways investigations into form and function and how our everyday objects can transform into talismans for modern life. Her work is rooted in the traditional aspects of the craft in technique and construction; although she finds that it's the interaction between human and object that cultivates meaning and it's this personal reaction to objects that is the core interest of her work.

VIEW ALL WORKS FROM THIS ARTIST

JENNIFER OH was born in the Philippines, grew up in Australia, lived in London and Rome and has recently moved back to Sydney.

Her ceramic work is informed by the multiplicity of her travels. They are in many ways investigations into form and function and how our everyday objects can transform into talismans for modern life. Her work is rooted in the traditional aspects of the craft in technique and construction; although she finds that it's the interaction between human and object that cultivates meaning and it's this personal reaction to objects that is the core interest of her work.

VIEW ALL WORKS FROM THIS ARTIST

JENNIFER OH was born in the Philippines, grew up in Australia, lived in London and Rome and has recently moved back to Sydney.

Her ceramic work is informed by the multiplicity of her travels. They are in many ways investigations into form and function and how our everyday objects can transform into talismans for modern life. Her work is rooted in the traditional aspects of the craft in technique and construction; although she finds that it's the interaction between human and object that cultivates meaning and it's this personal reaction to objects that is the core interest of her work.

VIEW ALL WORKS FROM THIS ARTIST

JENNIFER OH was born in the Philippines, grew up in Australia, lived in London and Rome and has recently moved back to Sydney.

Her ceramic work is informed by the multiplicity of her travels. They are in many ways investigations into form and function and how our everyday objects can transform into talismans for modern life. Her work is rooted in the traditional aspects of the craft in technique and construction; although she finds that it's the interaction between human and object that cultivates meaning and it's this personal reaction to objects that is the core interest of her work.

VIEW ALL WORKS FROM THIS ARTIST