Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Alexandra Standen is an Australian artist who explores the potential of clay as a ceramic form; subverting the long-held association between ceramics and utilitarian function. Standen makes things with her hands. The repetitive gesture of ‘pinching’ her hand-built forms is as much conceptual as it is an act of realisation. The conversation between materiality and form is ever evolving with intuition and experimentation in equal parts leading to the creation of these forms.
Pinch Ceramics

Pinch Vessel

$105.00
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OBJECT TYPE:
Vessel
MATERIALS:
Porcelain
DIMENSIONS:
65mm x 40mm
ORIGIN:
Sydney


PINCH CERAMICS is a ceramic art practice by Alexandra Standen based in Sydney (Gadi). Pinch was born out of a love for beautiful ceramic objects and the considered placement of them in the home; it is both minimal and refined while also indulging in a bit of bling from time to time. Each object is made by hand and is unique, making each piece a little work of art.

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