BETWEEN $150 AND $400

Ceramic Vase
Dawn Vachon
$365.00
Ceramic sculpture handmade by Dawn Vachon
Ceramic sculpture handmade by Dawn Vachon
Ceramic sculpture handmade by Dawn Vachon
Ceramic sculpture handmade by Dawn Vachon
Ceramic sculpture handmade by Dawn Vachon
Ceramic sculpture handmade by Dawn Vachon
Ceramic sculpture handmade by Dawn Vachon
Ceramic sculpture handmade by Dawn Vachon
Dawn Vachon

Ceramic Vase

$365.00
/
Tax included.
OBJECT TYPE:
Vase
MATERIALS:
Clay, Glaze
DIMENSIONS:
200mm x 160mm x 160mm
ORIGIN:
Naarm- Melbourne

Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. Suitable for holding water

DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.

VIEW ALL WORKS FROM THIS ARTIST

Dawn studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.

Cart
Ceramic Vase
Dawn Vachon
$365.00
Ceramic sculpture handmade by Dawn Vachon
Ceramic sculpture handmade by Dawn Vachon
Ceramic sculpture handmade by Dawn Vachon
Ceramic sculpture handmade by Dawn Vachon
Ceramic sculpture handmade by Dawn Vachon
Ceramic sculpture handmade by Dawn Vachon
Ceramic sculpture handmade by Dawn Vachon
Ceramic sculpture handmade by Dawn Vachon
Ceramic sculpture handmade by Dawn Vachon
Ceramic sculpture handmade by Dawn Vachon
Dawn Vachon

Ceramic Vase

$365.00
/
Tax included.
OBJECT TYPE:
Vase
MATERIALS:
Clay, Glaze
DIMENSIONS:
200mm x 200mm x 170mm
ORIGIN:
Naarm- Melbourne

Due to the nature of handmade pieces, photos are only indicative as each piece varies slightly in size, shape and colour. Suitable for holding water

DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.

VIEW ALL WORKS FROM THIS ARTIST

Dawn studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.

Cart
Sculpture titled "Vital Materiality"
Tatts
$180.00
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatts

Sculpture titled "Vital Materiality"

$180.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Porcelain, Slip, Oxides 
DIMENSIONS:
170 x 140 x 80mm
ORIGIN:
Naarm - Melbourne


TATTS’ interest in new materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces.

Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile, Tatts considers their relationship and action with other objects and the surrounding environment. In late childhood Tatts was diagnosed with apophenia, a condition where the brain has the inclination to perceive patterns and connection in everyday object. Tatts has continued to develop not only technique but the action of evoking story and kinship between medium, artist and viewer.

 

 

VIEW ALL WORKS FROM THIS ARTIST 

 

 

 

Cart
Sculpture titled "Vital Materiality"
Tatts
$155.00
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatts

Sculpture titled "Vital Materiality"

$155.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Porcelain, Slip, Oxides
DIMENSIONS:
150 x 120 x 90mm
ORIGIN:
Naarm - Melbourne


TATTS’ interest in new materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces.

Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile, Tatts considers their relationship and action with other objects and the surrounding environment. In late childhood Tatts was diagnosed with apophenia, a condition where the brain has the inclination to perceive patterns and connection in everyday object. Tatts has continued to develop not only technique but the action of evoking story and kinship between medium, artist and viewer.

 

 

VIEW ALL WORKS FROM THIS ARTIST 

 

 

 

Cart
Sculpture titled "Vital Materiality"
Tatts
$220.00
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces. Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile she considers their relationship and action with other objects and the surrounding environment.
Tatts

Sculpture titled "Vital Materiality"

$220.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Porcelain, Slip, Oxides
DIMENSIONS:
190mm x 100 x 70mm
ORIGIN:
Naarm - Melbourne


TATTS’ interest in new materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces.

Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile, Tatts considers their relationship and action with other objects and the surrounding environment. In late childhood Tatts was diagnosed with apophenia, a condition where the brain has the inclination to perceive patterns and connection in everyday object. Tatts has continued to develop not only technique but the action of evoking story and kinship between medium, artist and viewer.

 

 

VIEW ALL WORKS FROM THIS ARTIST 

 

 

 

Cart
Ceramic Sculpture
Melinda Wallis
$290.00
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
Ceramic Sculpture
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
Ceramic Sculpture
Melinda Wallis

Ceramic Sculpture

$290.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Clay
DIMENSIONS:
170mm diameter x 190mm
ORIGIN:
 Dandenong Ranges - Corhanwarrabul 

Not suitable for holding water.

From her small studio in the Dandenong Ranges, MELINDA WALLIS strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece... that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda the individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda, the work is a bonus.

VIEW ALL WORKS FROM THIS ARTIST

Cart
Sold Out
Ceramic Sculpture
Melinda Wallis
$290.00
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
From her small studio in the Dandenong Ranges, Melinda Wallis strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece. that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda her individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda.
Melinda Wallis

Ceramic Sculpture

$290.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Clay
DIMENSIONS:
180mm diameter x 180mm
ORIGIN:
 Dandenong Ranges - Corhanwarrabul 

Not suitable for holding water.

From her small studio in the Dandenong Ranges, MELINDA WALLIS strives for beauty in the form and surface. Simple designs can prove challenging, however this keeps her engaged as she continues to search for that one perfect piece... that enigma. She uses textured clays, often blending two or three together. The wheel gives Melinda the individual parts, and her hands assemble the finished product. The process is by far the main event for Melinda, the work is a bonus.

VIEW ALL WORKS FROM THIS ARTIST

Cart
Sold Out
Ceramic Vase
Rina Bernabei
$230.00
Ceramic sculpture handmade by Rina Bernabei
Ceramic sculpture handmade by Rina Bernabei
Ceramic sculpture handmade by Rina Bernabei
Ceramic sculpture handmade by Rina Bernabei
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
Ceramic sculpture handmade by Rina Bernabei
Ceramic sculpture handmade by Rina Bernabei
Ceramic sculpture handmade by Rina Bernabei
Ceramic sculpture handmade by Rina Bernabei
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
rina bernabei

Ceramic Vase

$230.00
/
Tax included.
OBJECT TYPE:
Vase
MATERIALS:
Clay, glazes
DIMENSIONS:
140 mm diameter x  140 mm
ORIGIN:
Warrane - Sydney 


Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. Suitable for holding water.

RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture. In 2018 Rina completed a traditional throwing course in Kyoto with a master ceramicist and in 2020 was asked to set up the 3D digital ceramic studio at Kyushu University in Fukuoka. Working within the Architecture and Design Faculty she ran workshops with students and with local craftsmen and ceramic studios. 

VIEW ALL WORKS FROM THIS ARTIST

 

 

 

Cart
Ceramic Vase
Rina Bernabei
$250.00
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
Ceramic sculpture handmade by Rina Bernabei
Ceramic sculpture handmade by Rina Bernabei
Ceramic sculpture handmade by Rina Bernabei
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
Ceramic sculpture handmade by Rina Bernabei
Ceramic sculpture handmade by Rina Bernabei
Ceramic sculpture handmade by Rina Bernabei
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
rina bernabei

Ceramic Vase

$250.00
/
Tax included.
OBJECT TYPE:
Vase
MATERIALS:
Clay, glazes
DIMENSIONS:
160 mm diameter x  190 mm
ORIGIN:
Warrane - Sydney 


Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. Suitable for holding water.

RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture. In 2018 Rina completed a traditional throwing course in Kyoto with a master ceramicist and in 2020 was asked to set up the 3D digital ceramic studio at Kyushu University in Fukuoka. Working within the Architecture and Design Faculty she ran workshops with students and with local craftsmen and ceramic studios. 

VIEW ALL WORKS FROM THIS ARTIST

 

 

 

Cart
Ceramic Vase
Rina Bernabei
$180.00
Ceramic sculpture handmade by Rina Bernabei
Ceramic sculpture handmade by Rina Bernabei
Ceramic sculpture handmade by Rina Bernabei
Ceramic sculpture handmade by Rina Bernabei
Ceramic sculpture handmade by Rina Bernabei
Ceramic sculpture handmade by Rina Bernabei
Ceramic sculpture handmade by Rina Bernabei
Ceramic sculpture handmade by Rina Bernabei
Ceramic sculpture handmade by Rina Bernabei
Ceramic sculpture handmade by Rina Bernabei
rina bernabei

Ceramic Vase

$180.00
/
Tax included.
OBJECT TYPE:
Vase
MATERIALS:
Clay, glazes
DIMENSIONS:
130 mm diameter x  150 mm
ORIGIN:
Warrane - Sydney 


Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. Suitable for holding water.

RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture. In 2018 Rina completed a traditional throwing course in Kyoto with a master ceramicist and in 2020 was asked to set up the 3D digital ceramic studio at Kyushu University in Fukuoka. Working within the Architecture and Design Faculty she ran workshops with students and with local craftsmen and ceramic studios. 

VIEW ALL WORKS FROM THIS ARTIST

 

 

 

Cart
Ceramic Bowl
Rina Bernabei
$190.00
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
rina bernabei

Ceramic Bowl

$190.00
/
Tax included.
OBJECT TYPE:
Vase
MATERIALS:
Clay, glazes
DIMENSIONS:
170 mm diameter x  130 mm
ORIGIN:
Warrane - Sydney 


Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. Suitable for holding water.

RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture. In 2018 Rina completed a traditional throwing course in Kyoto with a master ceramicist and in 2020 was asked to set up the 3D digital ceramic studio at Kyushu University in Fukuoka. Working within the Architecture and Design Faculty she ran workshops with students and with local craftsmen and ceramic studios. 

VIEW ALL WORKS FROM THIS ARTIST

 

 

 

Cart
Ceramic Vase
Rina Bernabei
$190.00
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
rina bernabei

Ceramic Vase

$190.00
/
Tax included.
OBJECT TYPE:
Vase
MATERIALS:
Clay, glazes
DIMENSIONS:
170 mm diameter x  130 mm
ORIGIN:
Warrane - Sydney 


Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. Suitable for holding water.

RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture. In 2018 Rina completed a traditional throwing course in Kyoto with a master ceramicist and in 2020 was asked to set up the 3D digital ceramic studio at Kyushu University in Fukuoka. Working within the Architecture and Design Faculty she ran workshops with students and with local craftsmen and ceramic studios. 

VIEW ALL WORKS FROM THIS ARTIST

 

 

 

Cart
Ceramic Vase
Rina Bernabei
$290.00
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
rina bernabei

Ceramic Vase

$290.00
/
Tax included.
OBJECT TYPE:
Vase
MATERIALS:
Clay, glazes
DIMENSIONS:
130 mm diameter x  220 mm
ORIGIN:
Warrane - Sydney 


Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. Suitable for holding water.

RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture. In 2018 Rina completed a traditional throwing course in Kyoto with a master ceramicist and in 2020 was asked to set up the 3D digital ceramic studio at Kyushu University in Fukuoka. Working within the Architecture and Design Faculty she ran workshops with students and with local craftsmen and ceramic studios. 

VIEW ALL WORKS FROM THIS ARTIST

 

 

 

Cart
Sold Out
Ceramic Vase
Rina Bernabei
$220.00
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
rina bernabei

Ceramic Vase

$220.00
/
Tax included.
OBJECT TYPE:
Vase
MATERIALS:
Clay, glazes
DIMENSIONS:
140 mm diameter x  165 mm
ORIGIN:
Warrane - Sydney 


Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. Suitable for holding water.

RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture. In 2018 Rina completed a traditional throwing course in Kyoto with a master ceramicist and in 2020 was asked to set up the 3D digital ceramic studio at Kyushu University in Fukuoka. Working within the Architecture and Design Faculty she ran workshops with students and with local craftsmen and ceramic studios. 

VIEW ALL WORKS FROM THIS ARTIST

 

 

 

Cart
Sold Out
Large Ceramic Vessel
Rina Bernabei
$350.00
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture.
rina bernabei

Large Ceramic Vessel

$350.00
/
Tax included.

 

OBJECT TYPE:
Platter
MATERIALS:
Clay, glazes
DIMENSIONS:
 250 mm diameter x  80 mm
ORIGIN:
Warrane - Sydney 


Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. Suitable for holding water.

RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture. In 2018 Rina completed a traditional throwing course in Kyoto with a master ceramicist and in 2020 was asked to set up the 3D digital ceramic studio at Kyushu University in Fukuoka. Working within the Architecture and Design Faculty she ran workshops with students and with local craftsmen and ceramic studios. 

VIEW ALL WORKS FROM THIS ARTIST

 

 

 

Cart
Tiny Ceramic Sculpture titled 'Wide-Mouth Pot'
Anna Gleeson
$190.00
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Anna Gleeson

Tiny Ceramic Sculpture titled 'Wide-Mouth Pot'

$190.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Stoneware
DIMENSIONS:
100mm x 55mm x 40mm
ORIGIN:
New York, NY - USA


ANNA GLEESON is an Australian artist now based in New-York. Anna creates contemporary ceramic sculptures using traditional hand-building techniques which she manipulates in order to distort the expected aesthetic of a vessel, creating playful and intriguing sculptures. 
'My ceramics practice is in conversation with a vessel tradition and aiming to complicate and extend that tradition. Using eccentric and invented techniques I push materials beyond what I know will work and into some kind of failure. I deliberately set up new ways of working with that mess and complicate an existing mode of making. I'm curious to see how it will fail; what that failure might look like or evoke. Working this way feels connected to some of my earliest childhood memories of making - not being as good at it as I would like, not having the right kind of glue or skills and being anyway completely absorbed in the attempt; pulled chiefly by curiosity.' - Anna Gleeson.

 

VIEW ALL WORKS FROM THIS ARTIST

 

Cart
Sold Out
Small Ceramic Sculpture Titled 'Terracotta Pot'
Anna Gleeson
$360.00
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Anna Gleeson

Small Ceramic Sculpture Titled 'Terracotta Pot'

$360.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Stoneware
DIMENSIONS:
150mm x 70mm x 70mm
ORIGIN:
New York, NY - USA


ANNA GLEESON is an Australian artist now based in New-York. Anna creates contemporary ceramic sculptures using traditional hand-building techniques which she manipulates in order to distort the expected aesthetic of a vessel, creating playful and intriguing sculptures. 
'My ceramics practice is in conversation with a vessel tradition and aiming to complicate and extend that tradition. Using eccentric and invented techniques I push materials beyond what I know will work and into some kind of failure. I deliberately set up new ways of working with that mess and complicate an existing mode of making. I'm curious to see how it will fail; what that failure might look like or evoke. Working this way feels connected to some of my earliest childhood memories of making - not being as good at it as I would like, not having the right kind of glue or skills and being anyway completely absorbed in the attempt; pulled chiefly by curiosity.' - Anna Gleeson.

 

VIEW ALL WORKS FROM THIS ARTIST

 

Cart
Sold Out
Small Ceramic Sculpture Titled 'Dancing Pot'
Anna Gleeson
$360.00
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Ceramic sculpture handmade by Anna Gleeson
Anna Gleeson

Small Ceramic Sculpture Titled 'Dancing Pot'

$360.00
/
Tax included.
OBJECT TYPE:
Vessel
MATERIALS:
Stoneware
DIMENSIONS:
160mm x 70mm x 60mm
ORIGIN:
New York, NY - USA


ANNA GLEESON is an Australian artist now based in New-York. Anna creates contemporary ceramic sculptures using traditional hand-building techniques which she manipulates in order to distort the expected aesthetic of a vessel, creating playful and intriguing sculptures. 
'My ceramics practice is in conversation with a vessel tradition and aiming to complicate and extend that tradition. Using eccentric and invented techniques I push materials beyond what I know will work and into some kind of failure. I deliberately set up new ways of working with that mess and complicate an existing mode of making. I'm curious to see how it will fail; what that failure might look like or evoke. Working this way feels connected to some of my earliest childhood memories of making - not being as good at it as I would like, not having the right kind of glue or skills and being anyway completely absorbed in the attempt; pulled chiefly by curiosity.' - Anna Gleeson.

 

VIEW ALL WORKS FROM THIS ARTIST

 

Cart
Ceramic Sculpture
Kelly Brown
$180.00
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
kelly brown

Ceramic Sculpture

$180.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Porcelain, Glaze
DIMENSIONS:
180x 120 x 80mm
ORIGIN:
Warrane - Sydney


Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. 

After working in music, advertising and law, KELLY BROWN became a ceramic artist.

Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.

 

VIEW ALL WORKS FROM THIS ARTIST

 

 

 

Cart
Ceramic Sculpture
Kelly Brown
$180.00
After working in music, advertising and law, KELLY BROWN became a ceramic artist. Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.
After working in music, advertising and law, KELLY BROWN became a ceramic artist. Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.
After working in music, advertising and law, KELLY BROWN became a ceramic artist. Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.
After working in music, advertising and law, KELLY BROWN became a ceramic artist. Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.
After working in music, advertising and law, KELLY BROWN became a ceramic artist. Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.
After working in music, advertising and law, KELLY BROWN became a ceramic artist. Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.
After working in music, advertising and law, KELLY BROWN became a ceramic artist. Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.
After working in music, advertising and law, KELLY BROWN became a ceramic artist. Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.
After working in music, advertising and law, KELLY BROWN became a ceramic artist. Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.
After working in music, advertising and law, KELLY BROWN became a ceramic artist. Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.
After working in music, advertising and law, KELLY BROWN became a ceramic artist. Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.
After working in music, advertising and law, KELLY BROWN became a ceramic artist. Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.
kelly brown

Ceramic Sculpture

$180.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Porcelain, Glaze
DIMENSIONS:
210x 130 x 80mm
ORIGIN:
Warrane - Sydney


Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. 

After working in music, advertising and law, KELLY BROWN became a ceramic artist.

Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.

 

VIEW ALL WORKS FROM THIS ARTIST

 

 

 

Cart
Ceramic Sculpture
Kelly Brown
$180.00
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
kelly brown

Ceramic Sculpture

$180.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Porcelain, Glaze
DIMENSIONS:
190x 120 x 80mm
ORIGIN:
Warrane - Sydney


Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. 

After working in music, advertising and law, KELLY BROWN became a ceramic artist.

Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.

 

VIEW ALL WORKS FROM THIS ARTIST

 

 

 

Cart
Ceramic Sculpture
Kelly Brown
$180.00
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
kelly brown

Ceramic Sculpture

$180.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Porcelain,  Glaze
DIMENSIONS:
190mm x 120 x 80mm
ORIGIN:
Warrane - Sydney


Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. 

After working in music, advertising and law, KELLY BROWN became a ceramic artist.

Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.

 

VIEW ALL WORKS FROM THIS ARTIST

 

 

 

Cart
Ceramic Sculpture
Kelly Brown
$180.00
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
Ceramic Sculpture
kelly brown

Ceramic Sculpture

$180.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Porcelain, Glaze
DIMENSIONS:
180mm x 100 x 70mm
ORIGIN:
Melbourne


Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. 

After working in music, advertising and law, KELLY BROWN became a ceramic artist.

Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.

 

VIEW ALL WORKS FROM THIS ARTIST

 

 

 

Cart
Ceramic Sculpture
Kelly Brown
$180.00
After working in music, advertising and law, KELLY BROWN became a ceramic artist. Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.
After working in music, advertising and law, KELLY BROWN became a ceramic artist. Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.
After working in music, advertising and law, KELLY BROWN became a ceramic artist. Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.
After working in music, advertising and law, KELLY BROWN became a ceramic artist. Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.
After working in music, advertising and law, KELLY BROWN became a ceramic artist. Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.
After working in music, advertising and law, KELLY BROWN became a ceramic artist. Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.
After working in music, advertising and law, KELLY BROWN became a ceramic artist. Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.
After working in music, advertising and law, KELLY BROWN became a ceramic artist. Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.
After working in music, advertising and law, KELLY BROWN became a ceramic artist. Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.
After working in music, advertising and law, KELLY BROWN became a ceramic artist. Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.
kelly brown

Ceramic Sculpture

$180.00
/
Tax included.
OBJECT TYPE:
Sculpture
MATERIALS:
Porcelain
DIMENSIONS:
210mm x 110 x 80mm
ORIGIN:
Warrane - Sydney


Due to the nature of handmade objects, photos are only indicative as each piece varies slightly in size, shape and colour. 

After working in music, advertising and law, KELLY BROWN became a ceramic artist.

Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.

 

VIEW ALL WORKS FROM THIS ARTIST

 

 

 

Cart