BETWEEN $150 AND $400

DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.

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DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.

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TATTS’ interest in new materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual assemblage of tesserae creates abstract forms of balance and precarity, layers, stacks, pattern and negative spaces.

Using hyper focusing as a perceptive and making strategy, concentrating on the individual tesserae tile, Tatts considers their relationship and action with other objects and the surrounding environment. In late childhood Tatts was diagnosed with apophenia, a condition where the brain has the inclination to perceive patterns and connection in everyday object. Tatts has continued to develop not only technique but the action of evoking story and kinship between medium, artist and viewer.

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A.C.V STUDIO was founded by artist Anna Varendorff in Melbourne, Australia.

A.C.V studio makes simple, serviceable objects for use and experimental works for exhibition. Pieces are made in Melbourne by Anna, or with other local fabricators.

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A.C.V STUDIO was founded by artist Anna Varendorff in Melbourne, Australia.

A.C.V studio makes simple, serviceable objects for use and experimental works for exhibition. Pieces are made in Melbourne by Anna, or with other local fabricators.

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A.C.V STUDIO was founded by artist Anna Varendorff in Melbourne, Australia.

A.C.V studio makes simple, serviceable objects for use and experimental works for exhibition. Pieces are made in Melbourne by Anna, or with other local fabricators.

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RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture. In 2018 Rina completed a traditional throwing course in Kyoto with a master ceramicist and in 2020 was asked to set up the 3D digital ceramic studio at Kyushu University in Fukuoka. Working within the Architecture and Design Faculty she ran workshops with students and with local craftsmen and ceramic studios. 

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RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture. In 2018 Rina completed a traditional throwing course in Kyoto with a master ceramicist and in 2020 was asked to set up the 3D digital ceramic studio at Kyushu University in Fukuoka. Working within the Architecture and Design Faculty she ran workshops with students and with local craftsmen and ceramic studios. 

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RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture. In 2018 Rina completed a traditional throwing course in Kyoto with a master ceramicist and in 2020 was asked to set up the 3D digital ceramic studio at Kyushu University in Fukuoka. Working within the Architecture and Design Faculty she ran workshops with students and with local craftsmen and ceramic studios. 

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RINA BERNABEI has been working in industrial design for the past 30 years. She has brought her love of earthy, clean aesthetics to clay. Her work encapsulates her years of practice as a product designer as well as the relationships between handmade craft practices and digital technologies and manufacture. In 2018 Rina completed a traditional throwing course in Kyoto with a master ceramicist and in 2020 was asked to set up the 3D digital ceramic studio at Kyushu University in Fukuoka. Working within the Architecture and Design Faculty she ran workshops with students and with local craftsmen and ceramic studios. 

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ANNA GLEESON is an Australian artist now based in New-York. Anna creates contemporary ceramic sculptures using traditional hand-building techniques which she manipulates in order to distort the expected aesthetic of a vessel, creating playful and intriguing sculptures. 
'My ceramics practice is in conversation with a vessel tradition and aiming to complicate and extend that tradition. Using eccentric and invented techniques I push materials beyond what I know will work and into some kind of failure. I deliberately set up new ways of working with that mess and complicate an existing mode of making. I'm curious to see how it will fail; what that failure might look like or evoke. Working this way feels connected to some of my earliest childhood memories of making - not being as good at it as I would like, not having the right kind of glue or skills and being anyway completely absorbed in the attempt; pulled chiefly by curiosity.' - Anna Gleeson.

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After working in music, advertising and law, KELLY BROWN became a ceramic artist.

Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.

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After working in music, advertising and law, KELLY BROWN became a ceramic artist.

Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.

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After working in music, advertising and law, KELLY BROWN became a ceramic artist.

Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.

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After working in music, advertising and law, KELLY BROWN became a ceramic artist.

Working in Sydney at Kil.n.it, she specialises in crafting timeless pieces inspired by ancient forms, huge urns being her favourite. Collaborating with interior designers, her creations bring sophistication and a touch of history to living spaces. Through unique partnerships with painters, she breaks traditional boundaries, creating captivating expressions.

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STEPHANIE PHILLIPS is a ceramic artist from Sydney, Australia. She draws strong influence in her artistic direction from both of her grandmothers. Her paternal grandmother was a Russian immigrant who was a talented artist and craftswoman, while her maternal grandmother was involved in the establishment of The Crommelin Native Arboretum at Pearl Beach, NSW, where Stephanie has spent many weekends and holidays since childhood.

At a young age, she developed an affinity with the Australian bush and the influence of the forms and colours of native flora are evident in her work. Drawing on her love of plants, she creates curved vessels to house modern Ikebana. Using a combination of clays, glazes and oxides she creates her own colours and textures.

Stephanie studied glass arts at Sydney College of the Arts, mosaics at Randwick Tafe and fabric design and printing at East Sydney Tech before finding her true calling in ceramics. She has studied at ceramics at Gymea Tafe and at Hazelhurst in Sydney.

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STEPHANIE PHILLIPS is a ceramic artist from Sydney, Australia. She draws strong influence in her artistic direction from both of her grandmothers. Her paternal grandmother was a Russian immigrant who was a talented artist and craftswoman, while her maternal grandmother was involved in the establishment of The Crommelin Native Arboretum at Pearl Beach, NSW, where Stephanie has spent many weekends and holidays since childhood.

At a young age, she developed an affinity with the Australian bush and the influence of the forms and colours of native flora are evident in her work. Drawing on her love of plants, she creates curved vessels to house modern Ikebana. Using a combination of clays, glazes and oxides she creates her own colours and textures.

Stephanie studied glass arts at Sydney College of the Arts, mosaics at Randwick Tafe and fabric design and printing at East Sydney Tech before finding her true calling in ceramics. She has studied at ceramics at Gymea Tafe and at Hazelhurst in Sydney.

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STEPHANIE PHILLIPS is a ceramic artist from Sydney, Australia. She draws strong influence in her artistic direction from both of her grandmothers. Her paternal grandmother was a Russian immigrant who was a talented artist and craftswoman, while her maternal grandmother was involved in the establishment of The Crommelin Native Arboretum at Pearl Beach, NSW, where Stephanie has spent many weekends and holidays since childhood.

At a young age, she developed an affinity with the Australian bush and the influence of the forms and colours of native flora are evident in her work. Drawing on her love of plants, she creates curved vessels to house modern Ikebana. Using a combination of clays, glazes and oxides she creates her own colours and textures.

Stephanie studied glass arts at Sydney College of the Arts, mosaics at Randwick Tafe and fabric design and printing at East Sydney Tech before finding her true calling in ceramics. She has studied at ceramics at Gymea Tafe and at Hazelhurst in Sydney.

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IGGY & LOU LOU is a Melbourne-based ceramic practice by artist Irene Grishin Selzer. After graduating with a Masters of Fine Arts in ceramics and receiving multiple awards for ceramic excellence, artist Irene Grishin-Selzer has continued her art practice alongside establishing a bespoke design practice under the name Iggy & Lou Lou.

"Texture is everything and working with clay provides endless textural possibilities. It has got that magic ability to appear both raw and refined at the same time" says Irene.

Irene’s practice is informed by a deep respect for traditional making processes, a commitment to a minimal environmental footprint, and a devotion to creating handmade, beloved ceramics that last a lifetime.

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ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

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ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

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ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

VIEW ALL WORKS FROM THIS ARTIST

ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

VIEW ALL WORKS FROM THIS ARTIST

ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

VIEW ALL WORKS FROM THIS ARTIST