The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
The work of Mathieu Frossard stands somewhere between art, design and craft. Looking at these practices from a distance, he is willing to blur boundaries and to question any sort of hierarchy that might exists between them. His work is like a collage of aesthetic references, shapes and materials, offering multiple paths for the viewer to apprehend it. It questions diverse aspects of contemporary creation like “good taste”, beauty, or function.
Mathieu Frossard

Ceramic Sculpture titled 'Almost Good'

$1,275.00
/
Tax included.
OBJECT TYPE:
Artwork
MATERIALS:
Earthenware, Glaze, Luster
DIMENSIONS:
11cm x 24cm x 24cm
ORIGIN:
 Strasbourg, France


Please note that all artwork sales are final.

Living and working in France, MATHIEU FROSSARD's work stands somewhere between art, design and craft. Looking at these practices from a distance, Mathieu's work is a collage of aesthetic references, shapes and materials that blur boundaries and offer multiple paths for the viewer to apprehend his work.

Giving viewers visual references, Mathieu pushes them to confront their own imaginative faculties, inviting them to interpret these as their own and to create stories based on what they see. Mathieu graduated in art and design from ESAD in Rheims, France, and from the Design Academy in Eindhoven, the Netherlands.

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