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DEBBEY WATSON is a Sydney based ceramic artist working predominantly with slab-built geometric forms that are informed by her background in graphic design and interest in modern architecture. Her pieces use a limited palette of three clays, one of which is sourced from her garden, and remain unglazed emphasising the simplicity of form. Connections thread one form to the next using delicate inlaid lines.

Debbey completed a Fine Arts degree majoring in Ceramics at the National Art School, Sydney in 2017 before undertaking a ceramic residency in Rome during 2018.

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DEBBEY WATSON is a Sydney based ceramic artist working predominantly with slab-built geometric forms that are informed by her background in graphic design and interest in modern architecture. Her pieces use a limited palette of three clays, one of which is sourced from her garden, and remain unglazed emphasising the simplicity of form. Connections thread one form to the next using delicate inlaid lines.

Debbey completed a Fine Arts degree majoring in Ceramics at the National Art School, Sydney in 2017 before undertaking a ceramic residency in Rome during 2018.

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DEBBEY WATSON is a Sydney based ceramic artist working predominantly with slab-built geometric forms that are informed by her background in graphic design and interest in modern architecture. Her pieces use a limited palette of three clays, one of which is sourced from her garden, and remain unglazed emphasising the simplicity of form. Connections thread one form to the next using delicate inlaid lines.

Debbey completed a Fine Arts degree majoring in Ceramics at the National Art School, Sydney in 2017 before undertaking a ceramic residency in Rome during 2018.

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DEBBEY WATSON is a Sydney based ceramic artist working predominantly with slab-built geometric forms that are informed by her background in graphic design and interest in modern architecture. Her pieces use a limited palette of three clays, one of which is sourced from her garden, and remain unglazed emphasising the simplicity of form. Connections thread one form to the next using delicate inlaid lines.

Debbey completed a Fine Arts degree majoring in Ceramics at the National Art School, Sydney in 2017 before undertaking a ceramic residency in Rome during 2018.

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DEBBEY WATSON is a Sydney based ceramic artist working predominantly with slab-built geometric forms that are informed by her background in graphic design and interest in modern architecture. Her pieces use a limited palette of three clays, one of which is sourced from her garden, and remain unglazed emphasising the simplicity of form. Connections thread one form to the next using delicate inlaid lines.

Debbey completed a Fine Arts degree majoring in Ceramics at the National Art School, Sydney in 2017 before undertaking a ceramic residency in Rome during 2018.

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DEBBEY WATSON is a Sydney based ceramic artist working predominantly with slab-built geometric forms that are informed by her background in graphic design and interest in modern architecture. Her pieces use a limited palette of three clays, one of which is sourced from her garden, and remain unglazed emphasising the simplicity of form. Connections thread one form to the next using delicate inlaid lines.

Debbey completed a Fine Arts degree majoring in Ceramics at the National Art School, Sydney in 2017 before undertaking a ceramic residency in Rome during 2018.

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DEBBEY WATSON is a Sydney based ceramic artist working predominantly with slab-built geometric forms that are informed by her background in graphic design and interest in modern architecture. Her pieces use a limited palette of three clays, one of which is sourced from her garden, and remain unglazed emphasising the simplicity of form. Connections thread one form to the next using delicate inlaid lines.

Debbey completed a Fine Arts degree majoring in Ceramics at the National Art School, Sydney in 2017 before undertaking a ceramic residency in Rome during 2018.

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SIMONE KARRAS is a Melbourne-based ceramicist whose practice explores form and texture within a minimalist aesthetic. Her work consistently features rich textures, strong silhouettes and attractive curves. Simone creates functional works for everyday use alongside one-off large scale striking statement pieces.

Simone is particularly attracted to handbuilding techniques in her work such as coiling for its tactile and organic process, allowing her to take on a fluid approach when creating.

Simone completed a Bachelor of Arts (Ceramic Design) at Monash University.

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SIMONE KARRAS is a Melbourne-based ceramicist whose practice explores form and texture within a minimalist aesthetic. Her work consistently features rich textures, strong silhouettes and attractive curves. Simone creates functional works for everyday use alongside one-off large scale striking statement pieces.

Simone is particularly attracted to handbuilding techniques in her work such as coiling for its tactile and organic process, allowing her to take on a fluid approach when creating.

Simone completed a Bachelor of Arts (Ceramic Design) at Monash University.

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SIMONE KARRAS is a Melbourne-based ceramicist whose practice explores form and texture within a minimalist aesthetic. Her work consistently features rich textures, strong silhouettes and attractive curves. Simone creates functional works for everyday use alongside one-off large scale striking statement pieces.

Simone is particularly attracted to handbuilding techniques in her work such as coiling for its tactile and organic process, allowing her to take on a fluid approach when creating.

Simone completed a Bachelor of Arts (Ceramic Design) at Monash University.

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Introducing pépite edits - bespoke collections of contemporary objects, designed by pépite, artist-made and exclusively available at pépite. 

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ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

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ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

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ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

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ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

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ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

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STUDIO MULDERS is a Perth based creative project of Annemieke who worked across the world as a scientist before becoming a ceramic artist in 2014. Her work explores the intersection of order, chaos, function, asymmetry and beauty.

She uses discarded vessels that are changed by cutting, rearranging or breaking part of its surface. This process of destruction and building up creates a form that is simultaneously fragile, robust, complex and simple. This inherent contrariness demands questioning and defies simple categorisation.

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STUDIO MULDERS is a Perth based creative project of Annemieke who worked across the world as a scientist before becoming a ceramic artist in 2014. Her work explores the intersection of order, chaos, function, asymmetry and beauty.

She uses discarded vessels that are changed by cutting, rearranging or breaking part of its surface. This process of destruction and building up creates a form that is simultaneously fragile, robust, complex and simple. This inherent contrariness demands questioning and defies simple categorisation.

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STUDIO DOKOLA is a Melbourne based, all Australian business producing unique objects in glass. Emerging with a focus on tableware, Studio Dokola has created limited edition ranges since 2019.

A focus on collaboration has seen Studio Dokola extend their design and production skill to work on glass based projects with numerous other Australian brands.

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MIKA YAMASAKI is a Japanese artist living in Melbourne, Australia.

Mika is inspired by proverbs, superstitions and old traditions. Similarly, her work is inspired by ordinary phrases and sayings, both from Japanese and English. Mika’s work is handmade and hand-painted; each piece is a one-off, made without the use of templates or patterns.

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MIKA YAMASAKI is a Japanese artist living in Melbourne, Australia.

Mika is inspired by proverbs, superstitions and old traditions. Similarly, her work is inspired by ordinary phrases and sayings, both from Japanese and English. Mika’s work is handmade and hand-painted; each piece is a one-off, made without the use of templates or patterns.

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MIKA YAMASAKI is a Japanese artist living in Melbourne, Australia.

Mika is inspired by proverbs, superstitions and old traditions. Similarly, her work is inspired by ordinary phrases and sayings, both from Japanese and English. Mika’s work is handmade and hand-painted; each piece is a one-off, made without the use of templates or patterns.

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MIKA YAMASAKI is a Japanese artist living in Melbourne, Australia.

Mika is inspired by proverbs, superstitions and old traditions. Similarly, her work is inspired by ordinary phrases and sayings, both from Japanese and English. Mika’s work is handmade and hand-painted; each piece is a one-off, made without the use of templates or patterns.

VIEW ALL WORKS FROM THIS ARTIST

MIKA YAMASAKI is a Japanese artist living in Melbourne, Australia.

Mika is inspired by proverbs, superstitions and old traditions. Similarly, her work is inspired by ordinary phrases and sayings, both from Japanese and English. Mika’s work is handmade and hand-painted; each piece is a one-off, made without the use of templates or patterns.

VIEW ALL WORKS FROM THIS ARTIST