Under $200

Clothing The Gaps is a fresh and dynamic Community brand managed by health professionals that celebrates Aboriginal people and culture. We were recognised for our excellence at the 2020 Dreamtime Awards and was awarded 'Business of the year'.

We make our clothes with Mob in our heart and everyone in mind. We label our clothes Ally Friendly and Mob Only because everyone was asking “Can I wear that?”. 

We produce merch with a message and encourage people to wear their values on their tee. 

We influence and unite people through fashion and causes so that Aboriginal people and Communities can thrive.

Did you know?! Clothing The Gaps is a play on the words "Closing the Gap", which is an Australian Government health initiative to help close the life expectancy gap between Aboriginal people and non-Indigenous Australians.  

VIEW MORE FROM THIS BRAND

ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

VIEW ALL WORKS FROM THIS ARTIST

ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

VIEW ALL WORKS FROM THIS ARTIST

ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

VIEW ALL WORKS FROM THIS ARTIST

ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

VIEW ALL WORKS FROM THIS ARTIST

ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

VIEW ALL WORKS FROM THIS ARTIST

STEPHANIE PHILLIPS is a ceramic artist from Sydney, Australia. She draws strong influence in her artistic direction from both of her grandmothers. Her paternal grandmother was a Russian immigrant who was a talented artist and craftswoman, while her maternal grandmother was involved in the establishment of The Crommelin Native Arboretum at Pearl Beach, NSW, where Stephanie has spent many weekends and holidays since childhood.

At a young age, she developed an affinity with the Australian bush and the influence of the forms and colours of native flora are evident in her work. Drawing on her love of plants, she creates curved vessels to house modern Ikebana. Using a combination of clays, glazes and oxides she creates her own colours and textures.

Stephanie studied glass arts at Sydney College of the Arts, mosaics at Randwick Tafe and fabric design and printing at East Sydney Tech before finding her true calling in ceramics. She has studied at ceramics at Gymea Tafe and at Hazelhurst in Sydney.

VIEW ALL WORKS FROM THIS ARTIST

STEPHANIE PHILLIPS is a ceramic artist from Sydney, Australia. She draws strong influence in her artistic direction from both of her grandmothers. Her paternal grandmother was a Russian immigrant who was a talented artist and craftswoman, while her maternal grandmother was involved in the establishment of The Crommelin Native Arboretum at Pearl Beach, NSW, where Stephanie has spent many weekends and holidays since childhood.

At a young age, she developed an affinity with the Australian bush and the influence of the forms and colours of native flora are evident in her work. Drawing on her love of plants, she creates curved vessels to house modern Ikebana. Using a combination of clays, glazes and oxides she creates her own colours and textures.

Stephanie studied glass arts at Sydney College of the Arts, mosaics at Randwick Tafe and fabric design and printing at East Sydney Tech before finding her true calling in ceramics. She has studied at ceramics at Gymea Tafe and at Hazelhurst in Sydney.

VIEW ALL WORKS FROM THIS ARTIST

STEPHANIE PHILLIPS is a ceramic artist from Sydney, Australia. She draws strong influence in her artistic direction from both of her grandmothers. Her paternal grandmother was a Russian immigrant who was a talented artist and craftswoman, while her maternal grandmother was involved in the establishment of The Crommelin Native Arboretum at Pearl Beach, NSW, where Stephanie has spent many weekends and holidays since childhood.

At a young age, she developed an affinity with the Australian bush and the influence of the forms and colours of native flora are evident in her work. Drawing on her love of plants, she creates curved vessels to house modern Ikebana. Using a combination of clays, glazes and oxides she creates her own colours and textures.

Stephanie studied glass arts at Sydney College of the Arts, mosaics at Randwick Tafe and fabric design and printing at East Sydney Tech before finding her true calling in ceramics. She has studied at ceramics at Gymea Tafe and at Hazelhurst in Sydney.

VIEW ALL WORKS FROM THIS ARTIST

STEPHANIE PHILLIPS is a ceramic artist from Sydney, Australia. She draws strong influence in her artistic direction from both of her grandmothers. Her paternal grandmother was a Russian immigrant who was a talented artist and craftswoman, while her maternal grandmother was involved in the establishment of The Crommelin Native Arboretum at Pearl Beach, NSW, where Stephanie has spent many weekends and holidays since childhood.

At a young age, she developed an affinity with the Australian bush and the influence of the forms and colours of native flora are evident in her work. Drawing on her love of plants, she creates curved vessels to house modern Ikebana. Using a combination of clays, glazes and oxides she creates her own colours and textures.

Stephanie studied glass arts at Sydney College of the Arts, mosaics at Randwick Tafe and fabric design and printing at East Sydney Tech before finding her true calling in ceramics. She has studied at ceramics at Gymea Tafe and at Hazelhurst in Sydney.

VIEW ALL WORKS FROM THIS ARTIST

STEPHANIE PHILLIPS is a ceramic artist from Sydney, Australia. She draws strong influence in her artistic direction from both of her grandmothers. Her paternal grandmother was a Russian immigrant who was a talented artist and craftswoman, while her maternal grandmother was involved in the establishment of The Crommelin Native Arboretum at Pearl Beach, NSW, where Stephanie has spent many weekends and holidays since childhood.

At a young age, she developed an affinity with the Australian bush and the influence of the forms and colours of native flora are evident in her work. Drawing on her love of plants, she creates curved vessels to house modern Ikebana. Using a combination of clays, glazes and oxides she creates her own colours and textures.

Stephanie studied glass arts at Sydney College of the Arts, mosaics at Randwick Tafe and fabric design and printing at East Sydney Tech before finding her true calling in ceramics. She has studied at ceramics at Gymea Tafe and at Hazelhurst in Sydney.

VIEW ALL WORKS FROM THIS ARTIST

STEPHANIE PHILLIPS is a ceramic artist from Sydney, Australia. She draws strong influence in her artistic direction from both of her grandmothers. Her paternal grandmother was a Russian immigrant who was a talented artist and craftswoman, while her maternal grandmother was involved in the establishment of The Crommelin Native Arboretum at Pearl Beach, NSW, where Stephanie has spent many weekends and holidays since childhood.

At a young age, she developed an affinity with the Australian bush and the influence of the forms and colours of native flora are evident in her work. Drawing on her love of plants, she creates curved vessels to house modern Ikebana. Using a combination of clays, glazes and oxides she creates her own colours and textures.

Stephanie studied glass arts at Sydney College of the Arts, mosaics at Randwick Tafe and fabric design and printing at East Sydney Tech before finding her true calling in ceramics. She has studied at ceramics at Gymea Tafe and at Hazelhurst in Sydney.

VIEW ALL WORKS FROM THIS ARTIST

TANCHEN Studio is a collaborative project between Sanchia Tan and Amber Chen. We focus on textiles as the basis of our practice, and take a process-based approach to design with a focus on new materials and tactility. From our studios based in Singapore and Shanghai, we create functional textiles that can be used as autonomous and artful elements within a living space. We always aim to source and design mindfully as we celebrate the potential of materials, craft, and techniques.

VIEW MORE FROM THIS BRAND

Sabre Paris, a stab in the back of traditional table arts! Cheerfulness, fantasy and a dash of audacity are invited to all your meals. Sabre considers the dining table to be the largest social network in the world! Indeed, what could be better than sharing a delicious meal with family or friends? And to make these moments unforgettable every time, add colour, good humour, chic style, elegance and fantasy to your table. Everything is allowed and everything is possible with Sabre.

VIEW MORE FROM THIS BRAND

Sabre Paris, a stab in the back of traditional table arts! Cheerfulness, fantasy and a dash of audacity are invited to all your meals. Sabre considers the dining table to be the largest social network in the world! Indeed, what could be better than sharing a delicious meal with family or friends? And to make these moments unforgettable every time, add colour, good humour, chic style, elegance and fantasy to your table. Everything is allowed and everything is possible with Sabre.

VIEW MORE FROM THIS BRAND

Sabre Paris, a stab in the back of traditional table arts! Cheerfulness, fantasy and a dash of audacity are invited to all your meals. Sabre considers the dining table to be the largest social network in the world! Indeed, what could be better than sharing a delicious meal with family or friends? And to make these moments unforgettable every time, add colour, good humour, chic style, elegance and fantasy to your table. Everything is allowed and everything is possible with Sabre.

VIEW MORE FROM THIS BRAND

Sabre Paris, a stab in the back of traditional table arts! Cheerfulness, fantasy and a dash of audacity are invited to all your meals. Sabre considers the dining table to be the largest social network in the world! Indeed, what could be better than sharing a delicious meal with family or friends? And to make these moments unforgettable every time, add colour, good humour, chic style, elegance and fantasy to your table. Everything is allowed and everything is possible with Sabre.

VIEW MORE FROM THIS BRAND

Sabre Paris, a stab in the back of traditional table arts! Cheerfulness, fantasy and a dash of audacity are invited to all your meals. Sabre considers the dining table to be the largest social network in the world! Indeed, what could be better than sharing a delicious meal with family or friends? And to make these moments unforgettable every time, add colour, good humour, chic style, elegance and fantasy to your table. Everything is allowed and everything is possible with Sabre.

VIEW MORE FROM THIS BRAND

Sabre Paris, a stab in the back of traditional table arts! Cheerfulness, fantasy and a dash of audacity are invited to all your meals. Sabre considers the dining table to be the largest social network in the world! Indeed, what could be better than sharing a delicious meal with family or friends? And to make these moments unforgettable every time, add colour, good humour, chic style, elegance and fantasy to your table. Everything is allowed and everything is possible with Sabre.

VIEW MORE FROM THIS BRAND

Combining classic American charm with Japanese design, Penco's range of unpretentious stationery is crafted for everyday use. The brand's mid-century American aesthetic lends itself to simple, highly-functional objects that are built to last.

VIEW MORE FROM THIS BRAND

Combining classic American charm with Japanese design, Penco's range of unpretentious stationery is crafted for everyday use. The brand's mid-century American aesthetic lends itself to simple, highly-functional objects that are built to last.

VIEW MORE FROM THIS BRAND

Combining classic American charm with Japanese design, Penco's range of unpretentious stationery is crafted for everyday use. The brand's mid-century American aesthetic lends itself to simple, highly-functional objects that are built to last.

VIEW MORE FROM THIS BRAND

Combining classic American charm with Japanese design, Penco's range of unpretentious stationery is crafted for everyday use. The brand's mid-century American aesthetic lends itself to simple, highly-functional objects that are built to last.

VIEW MORE FROM THIS BRAND

Combining classic American charm with Japanese design, Penco's range of unpretentious stationery is crafted for everyday use. The brand's mid-century American aesthetic lends itself to simple, highly-functional objects that are built to last.

VIEW MORE FROM THIS BRAND