Ceramics

Living and working in France, MATHIEU FROSSARD's work stands somewhere between art, design and craft. Looking at these practices from a distance, Mathieu's work is a collage of aesthetic references, shapes and materials that blur boundaries and offer multiple paths for the viewer to apprehend his work.

Giving viewers visual references, Mathieu pushes them to confront their own imaginative faculties, inviting them to interpret these as their own and to create stories based on what they see. Mathieu graduated in art and design from ESAD in Rheims, France, and from the Design Academy in Eindhoven, the Netherlands.

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Living and working in France, MATHIEU FROSSARD's work stands somewhere between art, design and craft. Looking at these practices from a distance, Mathieu's work is a collage of aesthetic references, shapes and materials that blur boundaries and offer multiple paths for the viewer to apprehend his work.

Giving viewers visual references, Mathieu pushes them to confront their own imaginative faculties, inviting them to interpret these as their own and to create stories based on what they see. Mathieu graduated in art and design from ESAD in Rheims, France, and from the Design Academy in Eindhoven, the Netherlands.

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Living and working in France, MATHIEU FROSSARD's work stands somewhere between art, design and craft. Looking at these practices from a distance, Mathieu's work is a collage of aesthetic references, shapes and materials that blur boundaries and offer multiple paths for the viewer to apprehend his work.

Giving viewers visual references, Mathieu pushes them to confront their own imaginative faculties, inviting them to interpret these as their own and to create stories based on what they see. Mathieu graduated in art and design from ESAD in Rheims, France, and from the Design Academy in Eindhoven, the Netherlands.

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Living and working in France, MATHIEU FROSSARD's work stands somewhere between art, design and craft. Looking at these practices from a distance, Mathieu's work is a collage of aesthetic references, shapes and materials that blur boundaries and offer multiple paths for the viewer to apprehend his work.

Giving viewers visual references, Mathieu pushes them to confront their own imaginative faculties, inviting them to interpret these as their own and to create stories based on what they see. Mathieu graduated in art and design from ESAD in Rheims, France, and from the Design Academy in Eindhoven, the Netherlands.

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Living and working in France, MATHIEU FROSSARD's work stands somewhere between art, design and craft. Looking at these practices from a distance, Mathieu's work is a collage of aesthetic references, shapes and materials that blur boundaries and offer multiple paths for the viewer to apprehend his work.

Giving viewers visual references, Mathieu pushes them to confront their own imaginative faculties, inviting them to interpret these as their own and to create stories based on what they see. Mathieu graduated in art and design from ESAD in Rheims, France, and from the Design Academy in Eindhoven, the Netherlands.

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Living and working in France, MATHIEU FROSSARD's work stands somewhere between art, design and craft. Looking at these practices from a distance, Mathieu's work is a collage of aesthetic references, shapes and materials that blur boundaries and offer multiple paths for the viewer to apprehend his work.

Giving viewers visual references, Mathieu pushes them to confront their own imaginative faculties, inviting them to interpret these as their own and to create stories based on what they see. Mathieu graduated in art and design from ESAD in Rheims, France, and from the Design Academy in Eindhoven, the Netherlands.

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Living and working in France, MATHIEU FROSSARD's work stands somewhere between art, design and craft. Looking at these practices from a distance, Mathieu's work is a collage of aesthetic references, shapes and materials that blur boundaries and offer multiple paths for the viewer to apprehend his work.

Giving viewers visual references, Mathieu pushes them to confront their own imaginative faculties, inviting them to interpret these as their own and to create stories based on what they see. Mathieu graduated in art and design from ESAD in Rheims, France, and from the Design Academy in Eindhoven, the Netherlands.

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STEPH WOODS is a Brisbane based contemporary artist known for her unconventional ceramic vessels. In her practice, she explores the expectations entwined with ceramics by opposing or exaggerating them through themes of reflection, functionality, and form. Steph’s distinctive pieces are visually material driven as she uses her fingertips as a tool to sculpt and create repetitive patterns.

Outrageous colour and extreme texture are a constant in her work, intended to encapsulate movement within the form and obscure the fragility of the ceramic.

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ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

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TESSY KING is a ceramic artist based on the Northern Rivers in NSW working from her shed studio. During her Fine Arts studies at RMIT Tessy trained in Gold and Silversmithing as well as Ceramics which is reflected in the metal and enamel qualities of her pieces.

Her focus is on the process and arrangement of each piece she makes, granting herself freedom to construct form and integrate colour in an uncontrived way reflecting a youthful notion of play.

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ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

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DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.

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DAWN VACHON studied visual arts at Emily Carr University of Art and Design in Vancouver, receiving her BFA in 2008. Since relocating to Melbourne, she has made a lot of ceramic pots and has exhibited a handful of ceramic things that aren't pots. Dawn can often be found throwing, handbuilding and concocting glazes at her home-studio in Coburg.

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JADE THORSEN is a Melbourne based ceramicist working from her North Fitzroy studio. Her practice focuses on wheel-thrown functional wares that sit somewhere between design, batch production and craft.

Jade’s background in Industrial Design formed her interest in ceramics and more broadly craft and ideas of slow making - a methodology she explores through her pieces that place just as much importance on the process as the final object.

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ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

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KIRSTEN PERRY is a self-taught ceramicist working from her studio based in Preston, Melbourne. Working predominantly with slip cast mid-fired functional and non-functional vessels, Kirsten’s pieces pay homage to traditional ceramic forms. The bio-morphic forms are initially carved from foam or cardboard before being translated into ceramic, reflecting Kirsten’s background in Industrial design. Evidence of this transformation from one medium to another is kept, highlighting the texture of the foam and cardboard and often exaggerating the imperfections to celebrate the uniqueness of each piece. Kirsten also has a background in Gold and Silversmithing through Fine Arts training wh ich is often reflected in her work.

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IGGY & LOU LOU is a Melbourne-based ceramic practice by artist Irene Grishin Selzer. After graduating with a Masters of Fine Arts in ceramics and receiving multiple awards for ceramic excellence, artist Irene Grishin-Selzer has continued her art practice alongside establishing a bespoke design practice under the name Iggy & Lou Lou.

"Texture is everything and working with clay provides endless textural possibilities. It has got that magic ability to appear both raw and refined at the same time" says Irene.

Irene’s practice is informed by a deep respect for traditional making processes, a commitment to a minimal environmental footprint, and a devotion to creating handmade, beloved ceramics that last a lifetime.

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JAMES LEMON is an Aotearoa (New Zealand) born artist working from his studio and shop space Northcote, Melbourne. He explores and experiments with clay as a generative process to develop works that are sculptural and functional.

Lemon's artwork is represented at James Makin Gallery in Collingwood and in the National Gallery of Victoria's permanent collection. His work has been featured in The National Gallery of Victoria Magazine, Vault Magazine, The Design Files, Real Living Magazine and Broadsheet.

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JAMES LEMON is an Aotearoa (New Zealand) born artist working from his studio and shop space Northcote, Melbourne. He explores and experiments with clay as a generative process to develop works that are sculptural and functional.

Lemon's artwork is represented at James Makin Gallery in Collingwood and in the National Gallery of Victoria's permanent collection. His work has been featured in The National Gallery of Victoria Magazine, Vault Magazine, The Design Files, Real Living Magazine and Broadsheet.

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JOSEPH TURRIN is an artist, based in Sydney, NSW, Australia. His work traverses interest in both the history of ceramics and nature. Turrin’s approach to making is playful in manner, with coil-building the predominant technique used. His work is inspired by colours and textures of plants, animals and landscapes. The form and surface of each piece is a site for experimentation of both texture, colour and functionality. Some works reference the utilitarian shapes found throughout the long history of ceramics. whilst others remain functionally ambiguous. Turrin was awarded the Royal Doulton & UNSW Art & Design Award.(2016)

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JOSEPH TURRIN is an artist, based in Sydney, NSW, Australia. His work traverses interest in both the history of ceramics and nature. Turrin’s approach to making is playful in manner, with coil-building the predominant technique used. His work is inspired by colours and textures of plants, animals and landscapes. The form and surface of each piece is a site for experimentation of both texture, colour and functionality. Some works reference the utilitarian shapes found throughout the long history of ceramics. whilst others remain functionally ambiguous. Turrin was awarded the Royal Doulton & UNSW Art & Design Award.(2016)

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JOSEPH TURRIN is an artist, based in Sydney, NSW, Australia. His work traverses interest in both the history of ceramics and nature. Turrin’s approach to making is playful in manner, with coil-building the predominant technique used. His work is inspired by colours and textures of plants, animals and landscapes. The form and surface of each piece is a site for experimentation of both texture, colour and functionality. Some works reference the utilitarian shapes found throughout the long history of ceramics. whilst others remain functionally ambiguous. Turrin was awarded the Royal Doulton & UNSW Art & Design Award.(2016)

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ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

VIEW ALL WORKS FROM THIS ARTIST

ALTERFACT is an experimental design studio created by Lucile Sciallano and Ben Landau in 2014. Since graduating from Design Academy Eindhoven in 2013, Lucile and Ben have worked in tandem on various projects in different mediums. Their collaboration has culminated in the creation of Alterfact Studio, a platform through which to conduct critical research with materials and data translated through the manufacture of ‘stuff’.

Alterfact’s practice is currently focused on the use of 3D printing in clay as a small batch manufacturing process. They push the boundaries of this traditionally plastic-based medium, and play with its connotations of utilitarianism and gimmickry, as it moves into a feasible reality.

VIEW ALL WORKS FROM THIS ARTIST